Βιογραφία

FINALIST FOR THE 2023 PULITZER PRIZE FOR MEMOIR'An exquisite exploration of disability, identity and the human capacity to do (and be) more than we've ever dreamed' Time'Gorgeously, vividly alive' New York Times'Challenges the unspoken social taboos about the disabled body, unpacking myths of beauty and our complicity in upholding those myths' Lit HubBorn with sacral agenesis, a visible congenital disability that affects her stature and gait, Chloe Cooper Jones had always found solace in what she thought of as 'the neutral room' - a dissociative space in her mind that offered her solace and self-protection, but also kept her isolated. When she became pregnant (disproving her doctor, who had assumed it impossible), something necessary in her started to crack, forcing her to reckon with her defensive positionality to the world and the people in it. This prompted an odyssey across time and space as Chloe - while at museums, operas, concerts and sporting events, and in the presence of awe-inspiring nature - reconsidered the consciousness-shifting power of beauty.

A book of the year for the New York Times, Washington Post, Los Angeles Times, USA Today, Time, BuzzFeed, Lit Hub, Electric Literature, Vulture, Publishers Weekly, Booklist and New York Public Library

Acclaimed cultural critic Greil Marcus tells the story of Bob Dylan through the lens of seven penetrating songs "The most interesting writer on Dylan over the years has been the cultural critic Greil Marcus. . .

. No one alive knows the music that fueled Dylan's imagination better. .

. . Folk Music .

. . [is an] ingenious book of close listening."-David Remnick, New Yorker Named a Best Music Book of 2022 by Rolling Stone "Further elevates Marcus to what he has always been: a supreme artist-critic."-Hilton Als Across seven decades, Bob Dylan has been the first singer of American song.

As a writer and performer, he has rewritten the national songbook in a way that comes from his own vision and yet can feel as if it belongs to anyone who might listen. In Folk Music, Greil Marcus tells Dylan's story through seven of his most transformative songs. Marcus's point of departure is Dylan's ability to "see myself in others." Like Dylan's songs, this book is a work of implicit patriotism and creative skepticism.

It illuminates Dylan's continuing presence and relevance through his empathy-his imaginative identification with other people. This is not only a deeply felt telling of the life and times of Bob Dylan but a rich history of American folk songs and the new life they were given as Dylan sat down to write his own.

Opening in 1995 with 'A Second Home', Mantel describes the death of her stepfather which leaves her deeply troubled by the unresolved events of her childhood.
In 'Now Geoffrey Don't Torment Her' Mantel takes the reader into the muffled consciousness of her early childhood, culminating in the birth of a younger brother and the strange candlelight ceremony of her mother's 'churching'. In 'Smile', an account of teenage perplexity, Mantel describes a household where the keeping of secrets has become a way of life. Finally, at the memoir's conclusion, Mantel explains how through a series of medical misunderstandings and neglect she came to be childless and how the ghosts of the unborn like chances missed or pages unturned, have come to haunt her life as a writer...

A gripping biography by the author of Brave New WorldThe life of Father Joseph, Cardinal Richelieu's aide, was a shocking paradox. After spending his days directing operations on the battlefield, Father Joseph would pass the night in prayer, or in composing spiritual guidance for the nuns in his care. He was an aspirant to sainthood and a practising mystic, yet his ruthless exercise of power succeeded in prolonging the unspeakable horrors of the Thirty Years' War. In his masterful biography, Huxley explores how an intensely religious man could lead such a life and how he reconciled the seemingly opposing moral systems of religion and politics.

Istanbul is a shimmering evocation, by turns intimate and panoramic, of one of the world's great cities, by its foremost writer. Orhan Pamuk, winner of the Nobel Prize in 2006, was born in Istanbul, in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy-or huzun- that all Istanbullus share: the sadness that comes of living amid the ruins of a lost Ottoman Empire. As he companionably guides us across the Bosphorus, through Istanbul's historical monuments and lost paradises, its dilapidated Ottoman villas, back streets and waterways, he also introduces us to the city's writers, artists and murderers. Like the Dublin of Joyce and Jan Morris' Venice, Pamuk's Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

In 1983 de Beauvoir published Sartre's letters, maintaining that her own to him had been lost. They were found by de Beauvoir's adopted daughter, and published to a storm of controversy in France. Tracing the emotional and triangular complications of her life with Sartre, the letters reveal her not only as manipulative and dependent but Simonealso as vulnerable, passionate, jealous and committed.

Francoise Gilot was a young painter in Pasis when she first met Picasso - he was sixty-two and she was twenty-one. During the following ten years they were lovers, worked closely together and she became mother to two of his children, Claude and Paloma. Life with Picasso, her account of those extraordinary years, is filled with intimate and astonishing revelations about the man, his work, his thoughts and his friends - Matisse, Braque, Gertrude Stein and Giacometti among others. Francois Gilot paints a compelling portrait of her turbulent life with the temperamental genius that was Picasso. She is a superb witness to Picasso as an artist and to his views on art.

'Because of his baldness and hairiness, he announced it was a capital offence for anyone either to look down on him as he passed or to mention goats in any context.' The biography of the brutal, crazed and incestuous Roman Emperor Caligula, who tried to appoint his own horse consul. I

Paddy's exuberant letters contain glimpses of the great and the good: a chance conversation with the Foreign Secretary, Anthony Eden, when Paddy opens the wrong door, or a glass of ouzo under the pine trees with Harold Macmillan. They describe encounters with such varied figures as Jackie Onassis, Camilla Parker-Bowles, Oswald Mosley and Peter Mandelson, while also relating adventures with the humble: a 'pick-nick' with the stonemasons at Kardamyli, or a drunken celebration in the Cretan mountains with his old comrades from the Resistance, most of them simple shepherds and goatherds. Paddy was at ease in any company - unfailingly charming, boyish, gentle and fun.