Literature

Monks devious and devout - and an age-defying royal pair - chronicle the history of their fictional island in this witty critique of Western civilization and history itself. Eugene Vodolazkin, internationally acclaimed novelist and scholar of medieval literature, returns with a satirical parable about European and Russian history, the myth of progress, and the futility of war. This ingenious novel, described by critics as a coda to his bestselling Laurus, is presented as a chronicle of an island from medieval to modern times. The island is not on the map, but it is real beyond doubt. It cannot be found in history books, yet the events are painfully recognizable. The monastic chroniclers dutifully narrate events they witness: quests for power, betrayals, civil wars, pandemics, droughts, invasions, innovations, and revolutions. The entries mostly seem objective, but at least one monk simultaneously drafts and hides a "true" history, to be discovered centuries later. And why has someone snipped out a key prophesy about the island's fate?These chronicles receive commentary today from an elderly couple who are the island's former rulers. Prince Parfeny and Princess Ksenia are truly extraordinary: they are now 347 years old. Eyewitnesses to much of their island's turbulent history, they offer sharp-eyed observations on the changing flow of time and their people's persistent delusions. Why is the royal couple still alive? Is there a chance that an old prophecy comes to pass and two righteous persons save the island from catastrophe?In the tradition of Umberto Eco's The Name of the Rose, Julian Barnes's A History of the World in 10 1/2 Chapters, and Kazuo Ishiguro's The Buried Giant, Vodolazkin is at his best recasting history, in all its hubris and horror, by finding the humor in its absurdity. For readers with an appetite for more than a dry, rational, scientific view of what motivates, divides, and unites people, A History of the Island conjures a world still suffused with mystical powers.

The setting is a comedy club in a small Israeli town. An audience that has come expecting an evening of amusement instead sees a comedian falling apart on stage; an act of disintegration, a man crumbling, as a matter of choice, before their eyes. They could get up and leave, or boo and whistle and drive him from the stage, if they were not so drawn to glimpse his personal hell. Dovaleh G, a veteran stand-up comic – charming, erratic, repellent – exposes a wound he has been living with for years: a fateful and gruesome choice he had to make between the two people who were dearest to him.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

A Man for All Seasons dramatises the conflict between King Henry VIII and Sir Thomas More. It depicts the confrontation between church and state, theology and politics, absolute power and individual freedom. Throughout the play Sir Thomas More's eloquence and endurance, his purity, saintliness and tenacity in the face of ever-growing threats to his beliefs and family, earn him status as one of modern drama's greatest tragic heroes. The play was first staged in 1960 at the Globe Theatre in London and was voted New York's Best Foreign Play in 1962. In 1966 it was made into an Academy Award-winning film by Fred Zinneman starring Paul Scofield."A Man for All Seasons is a stark play, sparse in its narrative, sinewy in its writing, which confirms Mr Bolt as a genuine and solid playwright, a force in our awakening theatre." (Daily Mail)

'A triumphant memoir' Cathy Park Hong, author of MINOR FEELINGS, finalist for the Pulitzer PrizeThe highly original, blistering, and unconventional memoir by the Pulitzer Prize-winning author of The Sympathizer, which has now sold over one million copies worldwideWith insight, humour, formal invention, and lyricism, in A Man of Two Faces Nguyen rewinds the film of his own life. He expands the genre of personal memoir by acknowledging larger stories of refugeehood, colonization, and ideas about Vietnam and America, writing with his trademark sardonic wit and incisive analysis, as well as a deep emotional openness about his life as a father and a son. At the age of four, Nguyen and his family are forced to flee his hometown of Ban Mê Thu?t and come to the USA as refugees. After being removed from his brother and parents and homed with a family on his own, Nguyen is later allowed to resettle into his own family in suburban San José. But there is violence hidden behind the sunny façade of what he calls AMERICA™. One Christmas Eve, when Nguyen is nine, while watching cartoons at home, he learns that his parents have been shot while working at their grocery store, the SàiGòn M?i, a place where he sometimes helps price tins of fruit with a sticker gun. Years later, as a teenager, the blood-stirring drama of the films of the Vietnam War such as Apocalypse Now throw Nguyen into an existential crisis: how can he be both American and Vietnamese, both the killer and the person being killed? When he learns about an adopted sister who has stayed back in Vietnam, and ultimately visits her, he grows to understand just how much his parents have left behind. And as his parents age, he worries increasingly about their comfort and care, and realizes that some of their older wounds are reopening. Resonant in its emotions and clear in its thinking about cultural power, A Man of Two Faces explores the necessity of both forgetting and of memory, the promises America so readily makes and breaks, and the exceptional life story of one of the most original and important writers working today.

The world just goes along. Nothing much matters, you know? I mean really matters. but then sometimes, just for a second, you get this grace, this belief that it does matter, a whole lot.

The supernatural and the mundane, the illusory and the substantial, are all shimmeringly blended. Love is treated as tragic, poignant, absurd and farcical. 'Lord, what fools these mortals be!', jeers Robin Goodfellow; but the joke may be on him and on his master Oberon when Bottom the weaver, his head transformed into that of an ass, is embraced by the voluptuously amorous Titania.

This classic of American realism depicts a clash of old and new worlds. Its portrait of a failing marriage explores social and moral issues involving family life and women's traditional roles.

While walking in the Swiss Alps, two English travellers fall into a space-warp, and suddenly find themselves in another world. In many ways the same as our own - even down to the characters that inhabit it - this new planet is still somehow radically different, for the two walkers are now upon a Utopian Earth controlled by a single World Government. Here, as they soon learn, all share a common language, there is sexual, economic and racial equality, and society is ruled by socialist ideals enforced by an austere, voluntary elite: the 'Samurai'. But what will the Utopians make of these new visitors from a less perfect world?

A lyrical celebration of storytelling, of childhood, and of the transformative power of music. Tracing a circular course that echoes Bach’s Goldberg Variations , Luis Sagasti’s second book to appear in English takes the guise of a musical scheherazade, recounting story after story, vibrating to celestial harmonies. From the music born of the sun to the music sent into space on the Voyager mission, from Rothko to rock music, from the composers of the concentration camps to a weeping room for Argentinian conscripts in the Falklands, A Musical Offering traverses the shifting sands of fiction and history.