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'It's hard to be brave,' said Piglet, sniffing slightly, 'when you're only a Very Small Animal.'Winnie-the-Pooh is `The Bear for all Ages', and now he's more fun than ever before. Join in The Tao of Pooh and the Te of Piglet! Pooh's Way of doing things seems strangely close to the ancient principle of Taoist philosophy, while Piglet exhibits the very important principle in Taoism of the Te, meaning Virtue of the Small. The author's explanations of Taoism and Te through Pooh and Piglet show that this is not an ancient and remote philosophy but something that you can use, here and now. An utterly unique book which makes complex concepts accessible with a little help from Pooh and his friends from the Hundred Acre Wood. Pooh may be a Bear of Very Little Brain but there are lessons to be learned from his approach to life. Beautifully illustrated by E H Shepard. Look out for:Winnie-the-Pooh's Little Book of Wisdom Winnie Ille PU (A Latin translation of Winnie-the-Pooh)The nation's favourite teddy bear has been delighting generations of children for 90 years. Milne's classic children's stories - featuring Tigger, Piglet, Eeyore, Christopher Robin and, of course, Pooh himself - are both heart-warming and funny, teaching lessons of friendship and reflecting the power of a child's imagination like no other story before or since. Pooh ranks alongside other beloved characters such as Paddington Bear, and Peter Rabbit as an essential part of our literary heritage. Whether you're 5 or 55, Pooh is the bear for all ages.

The first full presentation of a fundamental aspect of Marx, the concept of need

What are needs? While the edifices of economic theory are built upon various mechanisms designed to satisfy "human needs," not many economists have addressed the idea of need itself. Heller's highly original work identifies this lacuna, recognizing the concept of needs as playing a "hidden but principal role in Marx's economic categories." Her writing lucidly exposes radical needs as bearing the seeds of revolutionary agency in alienated capitalist society, and reasserts our existence as sentient beings beyond the realm of the material, productive spheres.

The quest is to document in an artist-book a work-in-project that combines image and text. This book describes how a visual artist and composer who spends her free time in dance schools and keeps record of the dancers’ movements keeps reprocessing the same material again and again as technology advances. She learns how to write as she collects and combines ‘writing exercises’ (ètudes), switching between arts, in the same way as one who is led to explain something while ‘lost in translation’ among every possible expression or memory, and ultimately succeeds in developing definitions.

Homer's tale of the abduction of Helen to Troy and the ten-year war to bring her back to Greece has fascinated mankind for centuries since he related it in The Iliad and The Odyssey. More recently, it has given rise to countless scholarly articles and books, extensive archaeological excavations, epic movies, television documentaries, stage plays, art and sculpture, even souvenirs and collectibles. However, while the ancients themselves thought that the Trojan War took place and was a pivotal event in world history, scholars during the Middle Ages and into the modern era derided it as a piece of fiction. This book investigates two major questions: did the Trojan War take place and, if so, where? It ultimately demonstrates that a war or wars in the vicinity of Troy probably did take place in some way, shape, or form during the Late Bronze Age, thereby forming the nucleus of the story that was handed down orally for centuries until put into essentially final form by Homer. However, Cline suggests that although a Trojan War (or wars) probably did take place, it was not fought because of Helen's abduction; there were far more compelling economic and political motives for conflict more than 3,000 years ago. Aside from Homer, the book examines various classical literary sources: the Epic Cycle, a saga found at the Hittite capital of Hattusas, treatments of the story by the playwrights of classical Greece, and alternative versions or continuations of the saga such as Virgil's Aeneid, which add detail but frequently contradict the original story. Cline also surveys archaeological attempts to document the Trojan War through excavations at Hissarlik, Turkey, especially the work of Heinrich Schliemann and his successors Wilhelm Dorpfeld, Carl Blegen, and Manfred Korfmann. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

'Suetonius, in holding up a mirror to those Caesars of diverting legend, reflects not only them but ourselves: half-tempted creatures, whose great moral task is to hold in balance the angel and the monster within' GORE VIDAL

As private secretary to the Emperor Hadrian, the scholar Suetonius had access to the imperial archives and used them (along with eyewitness accounts) to produce one of the most colourful biographical works in history. The Twelve Caesars chronicles the public careers and private lives of the men who wielded absolute power over Rome, from the foundation of the empire under Julius Caesar and Augustus to the decline into depravity under Nero and the recovery that came with his successors. This masterpiece of observation, immortalized in Robert Graves's classic translation, presents us with a gallery of vividly drawn - and all too human - individuals.

The Unwritten Places is an account of the life and times of the people of the Pindos mountains in northern Greece, as the author experienced them during ten years of wandering the ancient mule paths and summer pastures. It tells in particular of his friendship with a family of Vlach shepherds from the mountains close to Albania. The title is a translation of "Ta Agrafa", the name of what is still the most inaccessible and least developed part of the country.

The Use of Photography recounts a passionate love affair between Annie Ernaux and the journalist and author Marc Marie, after the two met in January 2003. Ernaux had been receiving intensive chemo for breast cancer during the prior three months, and had lost all her hair from the treatments. At the end of January she had surgery, followed by radiation therapy. The affair took place in different locations and Ernaux describes how, shortly after it began, she found herself entranced each morning by the sight of clothes strewn about, chairs out of place and the remains of their last meal of the evening still on the table – and how painful it felt to put things back in order afterwards. She went and got her camera, and began to take photographs of the scenes of disarray. When she told Marc Marie what she had done, he said he had felt the same desire. Translated by Alison L. Strayer into English for the first time, The Use of Photography is an extraordinary meditation on eroticism, photography and writing, a major work by the 2022 Nobel Prize in Literature laureate.

During the middle decades of the nineteenth century, a generation of Ottoman Greeks was caught up in radical social and political changes, including the period of reforms known as Tanzimat. The Ottoman Greek press was both a product and an agent of these changes. The Uses of Oppression follows the development of the Ottoman Greek press from its birth in 1830 until 1862, employing the vivid reflections of its editors, correspondents, advertisers, commentators, and readers as a lens through which to view the everyday lives of this generation of Ottoman Greeks—their social aspirations, their reactions to political events, their reception of Western-style norms, and other contemporary issues.

From the philosophy of Aristotle and Confucius, to Thomas Aquinas' Summa Theologiae, to the paintings of Raphael, Botticelli and many more, fascination with the virtues has endured and evolved to fit a wide range of cultural, religious, and philosophical contexts through the centuries. This Very Short Introduction introduces readers to the various virtues: the moral virtues, the intellectual virtues, and the theological virtues, as well as the capital vices. It explores the role of the virtues in moral life, their cultivation, and how they offer ways of thinking and acting that are alternatives to mere rule-following.

It also considers the relationship of the virtues to our own emotions, desires, and rational capacities. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly.

Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.