Δοκίμιο & Πολιτισμός

Cavafy travelled for the first time in Greece in the summer of 1901 during a period of leave from his job.The poet was 38 years old and was accompanied by his brother Alexandros. Travelling to Athens with Cavafy is a fascinating experience. We above all discover that despite the fact that a hundred and ten years have gone by and even dramatic changes have occurred in the capital, especially after the arrival of the million and a half refugees of Asia Minor, the city centre has preserved the broad outline of its physiognomy. The urban grid, shaped like a large isosceles triangle and dating from the time of King Otto is still the most obvious trait of Athens, while the large public buildings that are visited today would have been seen by Cavafy in the same way. The majority of changes have occurred in the archaeological zone which at the time of Cavafy was still partially inhabited, and in human geography. Many theatres, cafes and buildings mentioned by Cavafy no longer exist, being unable to survive the historical watershed between 1922 and 1949, which effectively marks the start of a new chapter in the history of “Athens the Capital” but above all marks the demographic and urban boom of the city.

"Nick Hunt has written a glorious book, rich with insight and wit, about walking his way both across and into contemporary Europe. . . . So many memorable encounters with people and places! A book about gifts, modernity, endurance and landscape, it represents a fine addition to the literature of the leg."—Robert Macfarlane, award-winning travel writer, author of The Wild Places and The Old Ways: A Journey On Foot In 1933, eighteen-year-old Patrick Leigh Fermor set out to chance and charm his way across Europe, "like a tramp, a pilgrim, or a wandering scholar." The books he later wrote about this walk, including Between the Woods and the Water, are a half-remembered, half-reimagined journey through cultures now extinct and landscapes irrevocably altered by the traumas of the twentieth century. Nick Hunt dreamed of following in Fermor's footsteps. In 2011 he began his own "great trudge"—on foot all the way to Istanbul. He walked across eight countries, following two major rivers and crossing three mountain ranges. With only Fermor's books to guide him, he trekked some 2,500 miles from Holland to Turkey. Why? For an old-fashioned adventure. To discover for himself what remained of hospitality, kindness to strangers, freedom, wildness, the unknown, the deeper currents of myth that still flow beneath Europe's surface. This is a story worthy of Fermor's own. Nick Hunt is a travel writer, freelance journalist, fiction writer, and storyteller whose articles have appeared in the Economist, the Guardian, and other publications. He is also co-editor of The Dark Mountain.

On your walks in Athens, with your family or friends, you will surely come across huge statues like giants - you could even stand beside them and find out how tall they really are. Riders appear suddenly out of Byzantine icons or marble reliefs - can you picture yourself as a rider? You will come across buildings that measure time, works of art depicting musicians -can you hear their song? The pages of this book will take you through the streets of Athens, a city that has many stories to tell, a city that can fascinate and entertain you. Inside this book you will find: - Suggestions about where to go and what to see. - Activities and things to make. - An inventory of everything we suggest you see. Take notes about the time you saw or visited the various monuments. Send postcards to your friends, keep the plastic bottles of water you drink as you walk around the city in order to make an hourglass, observe the sky at night and make your own paintings... There are lots of ways to see a city!

Pronunciation governs our regional and social identity more powerfully than any other aspect of spoken language. No wonder, then, that it has attracted most attention from satirists. In this intriguing book, David Crystal shows how our feelings about pronunciation today have their origins in the way our Victorian predecessors thought about the subject, as revealed in the pages of the satirical magazine, Punch. In the sixty years between its first issue in 1841 and the death of Queen Victoria in 1901, jokes about the fashions affecting English usage provide one of Punch's most fruitful veins of humour, from the dropped aitches of the Cockney accent to the upper-class habit of dropping the final `g' (huntin' and fishin'). For 'We Are Not Amused', David Crystal has examined all the issues during the reign of Queen Victoria and brought together the cartoons and articles that poked fun at the subject of pronunciation, adding a commentary on the context of the times, explaining why people felt so strongly about accents, and identifying which accents were the main source of jokes. The collection brings to light a society where class distinction ruled, and where the way you pronounced a word was seen as a sometimes damning index of who you were and how you should be treated. It is a fascinating, provocative and highly entertaining insight into our on-going amusement at the subject of how we speak.

The 25th anniversary of the UN Convention on the Rights of the Child is a good reason to put the topic emphatically into the public focus. UNICEF Germany and GEO - with the support of the world's best photographers and Edition Lammerhuber - do exactly that in this joint pro-bono project. In 40 photographic reports from 15 years, a selection of particularly striking pictures from the UNICEF Photo of the Year competition forms a fervent appeal to respect the rights of the child and to guarantee every girl and boy in the world a childhood in dignity. The volume is edited by Jurgen Heraeus, the Chairman of the German Committee of UNICEF, and Peter-Matthias Gaede, long-serving Editor-in-Chief of GEO. We the Children draws attention to the suffering and hardships, but also to the wishes and dreams of today's children. We the Children is a book full of hope for a child-oriented world."

Adam Smith (1723-1790) was one of the brightest stars of the eighteenth-century Scottish Enlightenment. An Inquiry into the Nature and Causes of the Wealth of Nations was his most important book. First published in London in March 1776, it had been eagerly anticipated by Smith's contemporaries and became an immediate bestseller. That edition sold out quickly and others followed. Today, Smith's Wealth of Nations rightfully claims a place in the Western intellectual canon. It is the first book of modern political economy, and still provides the foundation for the study of that discipline. But it is much more than that. Along with important discussions of economics and political theory, Smith mixed plain common sense with large measures of history, philosophy, psychology, sociology, and much else. Few texts remind us so clearly that the Enlightenment was very much a lived experience, a concern with improving the human condition in practical ways for real people. A masterpiece by any measure, Wealth of Nations remains a classic of world literature to be usefully enjoyed by readers today.

One of the greatest thinkers of the age' The Dalai Lama What is love?Who am I without my relationships? What is the relationship between myself and society?One of the world's greatest philosophical teachers, Krishnamurti, offers his inspiring wisdom on a core feature of life: our relationships. From parents to partners and colleagues to friends, Krishnamurti answers our deepest defining questions and reveals a path to truly loving yourself, others and the world around you.

The climate crisis is here. Our chance to stop it has come and gone, but this doesn't have to mean the world is ending. 'If you care about the planet, and about the people and animals who live on it, there are two ways to think about this. You can keep on hoping that catastrophe is preventable, and feel ever more frustrated or enraged by the world's inaction. Or you can accept that disaster is coming, and begin to rethink what it means to have hope.' The honesty and realism of Jonathan Franzen's writings on climate have been widely denounced and just as widely celebrated. Here, in his definitive statement on the subject, Franzen confronts the world's failure to avert destabilising climate change and takes up the question: Now what?

'Art is not a luxury. Art is a basic social need to which everyone has a right'.This extraordinary collection of 100 artists' manifestos from across the globe over the last 100 years brings together activists, post-colonialists, surrealists, socialists, nihilists and a host of other voices. From the Negritude movement in Africa and Martinique to Brazil's Mud/Meat Sewer Manifesto, from Iraqi modernism to Australia's Cyberfeminist Manifesto, they are by turns personal, political, utopian, angry, sublime and revolutionary. Some have not been published in English before; some were written in climates of censorship and brutality; some contain visions of a future still on the horizon. What unites them is the belief that art can change the world.

Conventional wisdom says that all we need to do to stay fit and trim is to exercise regularly and eat a low-fat, whole-food diet. Yet more and more people want to fast, forgoing food altogether. But should we fast? And does fasting speak to something deep and immutable within us? Why are we so well adapted to undertake it? And is there a way we can balance the demands of our busy lives with an ancient ritual that requires taking time to rest and rejuvenate?
This book tackles all these questions and more. It shows that the story of fasting has roots in the most fundamental aspects of the human condition, and is in fact a quest for mastery – over our bodies, our minds, our health, our circumstances and our fate. And the book tells of the hopes, anxieties and convictions that set us upon that journey.