Samuel Richardson

Pressured by her unscrupulous family to marry a wealthy man she detests, the young Clarissa Harlowe is tricked into fleeing with the witty and debonair Robert Lovelace and places herself under his protection. Lovelace, however, proves himself to be an untrustworthy rake whose vague promises of marriage are accompanied by unwelcome and increasingly brutal sexual advances. And yet, Clarissa finds his charm alluring, her scrupulous sense of virtue tinged with unconfessed desire. Told through a complex series of interweaving letters, Clarissa is a richly ambiguous study of a fatally attracted couple and a work of astonishing power and immediacy. A huge success when it first appeared in 1747, and translated into French and German, it remains one of the greatest of all European novels.

'O the deceitfulness of the heart of man! This John, whom I took to be the honestest of men ...this very fellow was all the while a vile hypocrite, and a perfidious wretch, and helping to carry on my ruin'. Fifteen-year-old Pamela Andrews, alone in the world, is pursued by her dead mistress' son. Although she is attracted to Mr B, she holds out against his demands, determined to protect her virginity and abide by her moral standards. Psychlologically acute in its explorations of sex, freedom and power, Richardson's first novel caused a sensation when it was published. Richly comic and lively, Pamela contains a diverse cast of characters ranging from the vulgar and malevolent Mrs Jewkes to the agressive but awkward country squire.