Novel

Dickens's final novel, left unfinished at his death, is a tale of mystery whose fast-paced action takes place in an ancient cathedral city and in some of the darkest places in nineteenth century London. Drugs, sexual obsession, colonial adventuring and puzzles about identity are among the novel's themes. At the centre of the plot lie the baffling disappearance of Edwin Drood and the many explanations of his whereabouts.

'Splendid ... le Carre shows how endowed he is with the gift of storytelling' The TimesAldo Cassidy is a cautious man. He has a pleasant family, drives a safe, expensive car and wears luxurious clothes.

But his soothing existence is upended when he meets Shamus and Helen - a dazzling, bohemian couple who are everything he is not. As he is drawn into their reckless and unpredictable orbit, all that Cassidy thought he understood about his orderly life begins to unravel. Told with le Carre's lacerating wit and penetrating observation, The Naive and Sentimental Lover is an acerbic satire of middle-class hypocrisies.

'Le Carre is the equal of any novelist now writing' Guardian

When her grandmother learned of Ashima's pregnancy, she was particularly thrilled at the prospect of naming the family's first sahib. And so Ashima and Ashoke have agreed to put off the decision of what to name the baby until a letter comes...'

For now, the label on his hospital cot reads simply BABY BOY GANGULI. But as time passes and still no letter arrives from India, American bureaucracy takes over and demands that 'baby boy Ganguli' be given a name. In a panic, his father decides to nickname him 'Gogol' - after his favourite writer.

Brought up as an Indian in suburban America, Gogol Ganguli soon finds himself itching to cast off his awkward name, just as he longs to leave behind the inherited values of his Bengali parents. And so he sets off on his own path through life, a path strewn with conflicting loyalties, love and loss...

Spanning three decades and crossing continents, Jhumpa Lahiri's much-anticipated first novel is a triumph of humane story-telling. Elegant, subtle and moving, 'The Namesake' is for everyone who loved the clarity, sympathy and grace of Lahiri's Pulitzer Prize-winning debut story collection, 'Interpreter of Maladies'.

'Brilliant. A Citizen Kane of a novel' Daily Telegraph__________________________________Meet John James Todd:Scotsman, auteur, Rousseau-fanatic - and 'subversive element'Born in 1899, John James Todd is one of the great, failed geniuses of the last century. His reminiscences, collected in The New Confessions, take us from Edinburgh to the Western Front, the Berlin film-world in the Twenties to Hollywood in the Thirties, Forties and beyond. Suffering imprisonment, shooting, marriage, fatherhood, divorce and McCarthyism, Todd is a hostage to good fortune, ill-judgement, bad luck, the vast sweep of history and the cruel, cruel hand of fate . . . __________________________________'A magnificent feat of storytelling and panoramic reconstruction' Observer'Paced and plotted with sinewy, unfailing skill . . . Boyd has given us a work of rich, ripe and immensely enjoyable entertainment' Sunday Times'Simply the best realistic storyteller of his generation' Independent

Thomas Wazhushk is the night watchman at the first factory to open near the Turtle Mountain Reservation in rural North Dakota. He is also a prominent Chippewa Council member, trying to understand a new bill that is soon to be put before Congress. The US Government calls it an 'emancipation' bill; but it isn't about freedom - it threatens the rights of Native Americans to their land, their very identity. How can he fight this betrayal?Unlike most of the girls on the reservation, Pixie - 'Patrice' - Paranteau has no desire to wear herself down on a husband and kids. She works at the factory, earning barely enough to support her mother and brother, let alone her alcoholic father who sometimes returns home to bully her for money. But Patrice needs every penny to get if she's ever going to get to Minnesota to find her missing sister Vera. In The Night Watchman multi-award winning author Louise Erdrich weaves together a story of past and future generations, of preservation and progress. She grapples with the worst and best impulses of human nature, illuminating the loves and lives, desires and ambitions of her characters with compassion, wit and intelligence.

Sir Waldo Hawkridge -- wealthy, handsome, eligible, illustrious, and known as 'The Nonesuch' for his athletic prowess -- believes he is past the age of falling in love. But when he comes North to inspect his unusual inheritance at Broom Hall in the West Riding, his arrival leads to the most entertaining of ramifications ... Georgette Heyer won the hearts of a huge worldwide readership with her peerless novels of historical romance - a readership which continues to this day - and in The Nonesuch, all her storytelling skills are in eveidence.

Nikolai Gogol’s novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol’s peculiar genius comes through most powerfully in his short stories. By turns—or at once—funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature. These stories showcase Gogol’s vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol’s characteristic obsessions—city crowds, bureaucratic hierarchy and irrationality, the devil in disguise—and a constant undercurrent of the absurd. Susanne Fusso’s translations pay careful attention to the strangeness and wonder of Gogol's style, preserving the inimitable humor and oddity of his language. The Nose and Other Stories reveals why Russian writers from Dostoevsky to Nabokov have returned to Gogol as the cornerstone of their unparalleled literary tradition.

The old man has gone 84 days without catching a fish, everything about him is old except his eyes, they are the colour of the sea. He finally catches a fish, but this is no ordinary fish, nor is his fierce and determined response.

A nomad and a swindler embark on an eccentric road trip in this picaresque, philosophical novel by the author of The Man Who Planted Trees. <p/>The south of France, 1950: A solitary vagabond walks through the villages, towns, valleys, and foothills of the region between northern Provence and the Alps. He picks up work along the way and spends the winter as the custodian of a walnut-oil mill. He also picks up a problematic companion: a cardsharp and con man, whom he calls "the Artist." The action moves from place to place, and episode to episode, in truly picaresque fashion. Everything is told in the first person, present tense, by the vagabond narrator, who goes unnamed. He himself is a curious combination of qualities--poetic, resentful, cynical, compassionate, flirtatious, and self-absorbed. <p/>While The Open Road can be read as loosely strung entertainment, interspersed with caustic reflections, it can also be interpreted as a projection of the relationship of author, art, and audience. But it is ultimately an exploration of the tensions and boundaries between affection and commitment, and of the competing needs for solitude, independence, and human bonds. As always in Jean Giono, the language is rich in natural imagery and as ruggedly idiomatic as it is lyrical.

First published in the 1950s to international acclaim, Margarita Liberaki's allegorical novel, The other Alexander, speaks to the opposing forces inherent in human nature. This exquisite poetic drama reenacts Greek tragedy in its evocation of a country riven by civil war and a family divided against itself.
A tyrannical father leads a double life; he has two families and gives the same first names to both sets of children. In an atmosphere of increasing unease and mistrust, the half-siblings meet, love, hate, and betray one another. Embroiled in absurdity, Liberaki's characters must confront their doubles, as individual and collective identity is called into question in this tale of psychological and political haunting.
Hailed by Albert Camus as "true poetry," Liberaki's sharp, riveting prose, with its echoes of Kafka, consolidates her place in European literature. Considered one of Greece's most distinctive voices, Margarita Liberaki is essential reading.