From the author of international bestseller Kim Jiyoung, Born 1982
''Cho's complex, humane, and by its end utterly transfixing novel shows that it is in community that we find resilience.' i newspaper
'Like Bong Joon-ho's Academy Award-winning film Parasite and the popular Netflix series Squid Games, Saha points to the increasing inequality and lack of social mobility in South Korea. ... With global inequality on the rise, Saha's theme of human dignity quashed by the interests of mega-corporations resonates widely.' Daily Telegraph
'[A]n affecting portrait of people doing their best to survive in a world that would rather pretend they didn't exist.' New York Times
In a country called 'Town', Su is found dead in an abandoned car. The suspected killer is presumed to come from the Saha Estates.
Town is a privatised country, controlled by a secretive organisation known as the Seven Premiers. It is a society clearly divided into the haves and have-nots and those who have the very least live on the Saha Estates. Among their number is Jin-Kyung, a young woman whose brother, Dok-yung, was in a relationship with Su and quickly becomes the police's prime suspect. When Dok-yung disappears, Jin Ky-ung is determined to get to the bottom of things. On her quest to find the truth, though, she will uncover a reality far darker and crimes far greater than she could ever have imagined.
At once a dystopian mystery and devastating critique of how we live now, Saha lifts the lid on corruption, exploitation and government oppression, while, with deep humanity and compassion, showing us the lives of those who, through no fault of their own, suffer at the hand of brutal forces far beyond their control.
Praise for Kim Jiyoung, Born 1982
A powerful criticism of modern life by one of the most provocative and prophetic writers of our age
Florent-Claude Labrouste is dying of sadness. Despised by his girlfriend and on the brink of career failure, his last hope for relief comes in the form of a newly available antidepressant that alters the brain's release of serotonin.
When he returns to the Normandy countryside in search of serenity, he instead finds a rural community left behind by globalisation and red-tape agricultural policies, with local farmers longing for an impossible return towhat they remember as a golden age.
'Despite its provocations, this is a novel of romantic and sorrowful ideas: Houellebecq as troubadour, singing lost loves' Rachel Kushner
Michel Houellebecq has good claim to be the most interesting novelist of our times. . . Exhilarating in its nihilism, often very funny and always enjoyable' Evening Standard