Robert Graves

Continuing the saga begun in I, Claudius, Robert Graves's Claudius the God is a compelling fictional autobiography of the Roman emperor, published with an introduction by Barry Unsworth in Penguin Modern Classics.

Claudius has survived the murderous intrigues of his predecessors to become, reluctantly, Emperor of Rome. Here he recounts his surprisingly successful reign: how he cultivates the loyalty of the army and the common people to repair the damage caused by Caligula; his relations with the Jewish King Herod Agrippa; and his invasion of Britain. But the growing paranoia of absolute power and the infidelity of his promiscuous young wife Messalina mean that his good fortune will not last forever. In this second part of Robert Graves's fictionalized autobiography, Claudius - wry, rueful, always inquisitive - brings to life some of the most scandalous and violent times in history.

In Homer's Daughter Robert Graves recreates the Odyssey. This bold retelling of the ancient epic imagines that its author was not the blind and bearded Homer of legend, but a young woman in Western Sicily who calls herself Nausicaa. In Robert Graves's words, Homer's Daughter is 'the story of a high-spirited and religious-minded Sicilian girl who saves her father's throne from usurpation, herself from a distasteful marriage, and her two younger brothers from butchery by boldly making things happen, instead of sitting still and hoping for the best.'

Bringing to life the subterfuge and double-dealing of Roman nobility, Robert Graves' "I, Claudius" brings the ancient world to life with startling clarity and meticulous realism. Despised for his weakness and regarded by his family as little more than a stammering fool, the nobleman Claudius quietly survives the intrigues, bloody purges and mounting cruelty of the imperial Roman dynasties. In "I, Claudius" he watches from the sidelines to record the reigns of its emperors: from the wise Augustus and his villainous wife Livia to the sadistic Tiberius and the insane excesses of Caligula. Written in the form of Claudius' autobiography, this is the first part of Robert Graves' brilliant account of the madness and debauchery of ancient Rome, and stands as one of the most celebrated, gripping historical novels ever written. Robert Ranke Graves (1895-1985) was a British poet, novelist, and critic.

War is raging between the Greeks and the Trojans. Achilles, the great warrior champion of the Greek army, is angrily sulking in his tent and refusing to fight, after a row with his leader Agamemnon. But when the Trojan king Hector kills Achilles' beloved friend, he plunges back into the battle to seek his bloody revenge - even though he knows it will bring about his own doom. Robert Graves's gripping, vigorous retelling of The Iliad portrays quarrelling kings and tarnished heroes, who leave suffering women behind them and are watched over by capricious gods and goddesses. It takes a revered classic back to its roots as popular entertainment.

For centuries, the ancient world was electrified by the story of the ten-year war that brought down the ancient city of Troy and destroyed the lives of countless Greek and Trojan warriors. In the modern world, according to Robert Graves, "English literature, to be properly understood, calls for as close a knowledge of the Trojan War as of the Bible." Here are ambition, greed, cruelty, suffering, madness, treachery, jealousy, pride, and foolishness in abundance, a tale of woe that brings the ancient world into a modern context.
The ancient city of Troy was sacked sometime early in the twelfth century BC; The Iliad and The Odyssey were composed some four or five centuries later. But there were many other accounts besides Homer's, and Graves uses them all. His writing style is sleek, action- driven, and to the point. A great story like this deserves a great story-teller, and gets all that and more in Robert Graves.

'Suetonius, in holding up a mirror to those Caesars of diverting legend, reflects not only them but ourselves: half-tempted creatures, whose great moral task is to hold in balance the angel and the monster within' GORE VIDAL

As private secretary to the Emperor Hadrian, the scholar Suetonius had access to the imperial archives and used them (along with eyewitness accounts) to produce one of the most colourful biographical works in history. The Twelve Caesars chronicles the public careers and private lives of the men who wielded absolute power over Rome, from the foundation of the empire under Julius Caesar and Augustus to the decline into depravity under Nero and the recovery that came with his successors. This masterpiece of observation, immortalized in Robert Graves's classic translation, presents us with a gallery of vividly drawn - and all too human - individuals.

This labyrinthine and extraordinary book, first published more than fifty years ago, was the outcome of Graves's vast reading and curious research into strange territories of folklore, mythology, religion and magic. Erudite and impassioned, it is a scholar-poet's quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explored the sources of his own inspiration and, as he believed, all true poetry.