Ahren Warner

Confer is a book between two cities - London and Paris - with detours via rural and small-town England, drunkenness and death camps in Bavaria, the American absurd and the lost libraries of the Roman Empire. It contains love and lust poems, variations on Baudelaire and conversations with Nietzsche and Auden. This impressive debut collection by a young poet already well-known for his innovative, highly musical poetry draws its energy from an interplay between melody and intellect. Ahren Warner's poems seek to amplify the effect of our common experiences and to attenuate the everyday within a matrix of philosophy and art, language and its intervals. Poetry Book Society Recommendation.

Ahren Warner's second collection of poems opens with the sequence Lutece, te amo: a raw paean to the Paris it inhabits that flits between past and present and offers both adoration and horror in equal measure. Elsewhere, London 'licks and laps'; an anonymous man 'works his bones with a micro-plane' and translations of Baudelaire and Kojeve rub shoulders with Kurt Cobain and 'Little Lord Tory-Tit'. More capricious, fleshly and darker than Warner's previous work, Pretty culminates in Nervometer: thirteen poems hovering between a collage, translation and performance of Antonin Artaud's Le Pese-nerfs, which bring Pretty to a beautifully ugly end.