Somerset Maugham

From 1892, when he was eighteen, until 1949, when this book was first published, Somerset Maugham kept a notebook. It is without doubt one of his most important works. Part autobiographical, part confessional, packed with observations, confidences, experiments and jottings it is a rich and exhilarating admission into this great writer's workshop.

With an introduction by Nicholas Shakespeare "Cakes and Ale" is both a wickedly satirical novel about contemporary literary poseurs and a skilfully crafted study of freedom. As he traces the fortunes of Edward Driffield and his extraordinary wife Rosie, one of the most delightful heroines of twentieth-century literature, Maugham's sardonic wit and lyrical warmth expertly combine in this accomplished and unforgettable novel.

This final classic collection of stories reveals Somerset Maugham's unique talent for exposing and exploring the bitter realities of human relationships. Brilliant tales of love, infidelity, passion and prejudice, the stories range from 'The Lotus Eater' in which a man has a vision of a life of bliss in the Mediterranean, to the astringent tales of 'The Outstation' and 'The Back of Beyond' in Malaya and South East Asia. Largely set in favourite Maugham country, this colourful collection brilliantly evokes the numbered days of the British Empire.

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D'abord paru sous forme romanesque, ce troisième volet de nouvelles se déploie autour d'un thème, le contre-espionnage, et d'un même personnage, Mr. Ashenden, inspiré de la propre expérience de S. Maugham dans les services secrets anglais pendant la Première Guerre mondiale.

Larry Darrell is a young American in search of the absolute. The progress of this spiritual odyssey involves him with some of Maugham's most brillant characters - his fiancee Isabel, whose choice between love and wealth have lifelong repercussions, and Elliot Templeton, her uncle, a classic expatriate American snob. The most ambitious of Maugham's novels, this is also one in which Maugham himself plays a considerable part as he wanders in and out of the story, to observe his characters struggling with their fates.

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