Μυθιστόρημα

Funny, warm, and poignant with her trademark wit and wisdom - The Greek Holiday is Maeve Haran at her very, very best. 'Make sure of a happier holiday by packing a Maeve Haran novel in your suitcase' - Jilly CooperFour old university friends, Dora, Penny, Nell and Moira, reunite to relive that first hippy-dippy trip together to a beautiful, unspoilt, romantic Greek island looking for sun, sand and sea. But it's not just about going back to when they were young. Maybe they do have dreams like Shirley Valentine, because, ultimately, they're all looking for something to help them through some difficult times in their lives - whether it's with their career, family or relationships. What they discover in Kyri is an opportunity to reinvent, be themselves, contribute to a community who wants their help, at the same time as having fun, being happy and even finding love. But, crucially, they discover the most valuable lesson of all - understanding the true importance of female friendship. 'Hilarious and heartwarming' - Woman & Home'An engaging romance mixing heartwarming friendship with gentle humour in a gorgeous setting' - Daily Mail

This volume opens up a vast, dazzling landscape of fashionable Parisian life in the late 19th century, as the narrator enters the brilliant, shallow world of the literary and aristocratic salons. Both a salute to and satire of a time, place, and culture, this new translation will introduce a new generation to the literary richness of Marcel Proust.

Adventuress and opportunist, Ethelberta reinvents herself to disguise her humble origins, launching a brilliant career as a society poet in London with her family acting incognito as her servants. Turning the male-dominated literary world to her advantage, she happily exploits the attentions of four very different suitors. Will she bestow her hand upon the richest of them, or on the man she loves? Ethelberta Petherwin, alias Berta Chickerel, moves with easy grace between her multiple identities, cleverly managing a tissue of lies to aid her meteoric rise.

In The Hand of Ethelberta (1876), Hardy drew on conventions of popular romances, illustrated weeklies, plays, fashion plates and even his wife's diary in this comic story of a woman in control of her destiny.

I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light. Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford - her assigned name, Offred, means 'of Fred'. She has only one function: to breed. If Offred refuses to enter into sexual servitude to repopulate a devastated world, she will be hanged. Yet even a repressive state cannot eradicate hope and desire. As she recalls her pre-revolution life in flashbacks, Offred must navigate through the terrifying landscape of torture and persecution in the present day, and between two men upon which her future hangs. Masterfully conceived and executed, this haunting vision of the future places Margaret Atwood at the forefront of dystopian fiction.

Go back to where it all began with the dystopian novel behind the award-winning TV series. 'As relevant today as it was when Atwood wrote it' GuardianI believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light. Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford - her assigned name, Offred, means 'of Fred'. She has only one function: to breed. If Offred refuses to enter into sexual servitude to repopulate a devastated world, she will be hanged. Yet even a repressive state cannot eradicate hope and desire. As she recalls her pre-revolution life in flashbacks, Offred must navigate through the terrifying landscape of torture and persecution in the present day, and between two men upon which her future hangs. Masterfully conceived and executed, this haunting vision of the future places Margaret Atwood at the forefront of dystopian fiction. 'A fantastic, chilling story. And so powerfully feminist', Bernardine Evaristo, author of Girl, Woman, Other.

Stan and Charmaine are a married couple trying to stay afloat in the midst of economic and social collapse. Living in their car, surviving on tips from Charmaine's job at a dive bar, they're increasingly vulnerable to roving gangs and in a rather desperate state. So when they see an advertisement for the Positron Project in the town of Consilience - a 'social experiment' offering stable jobs and a home of their own - they sign up immediately. All they have to do in return for this suburban paradise is give up their freedom every second month, swapping their home for a prison cell.

At first, all is well. But slowly, unknown to the other, Stan and Charmaine develop a passionate obsession with their counterparts, the couple that occupy their home when they are in prison. Soon the pressures of conformity, mistrust, guilt and sexual desire take over, and Positron looks less like a prayer answered and more like a chilling prophecy fulfilled.

When Mr. Polly grows tired of his wife's nagging and his job as the owner of a regional gentleman's outfitters, he concludes that the only way to escape his sad existence is by burning his shop to the ground and killing himself.

THERE'S NO PLANET LIKE HOMEAfter an 'incident' one wet Friday night where he was found walking naked through the streets of Cambridge, Professor Andrew Martin is not feeling quite himself. Food sickens him. Clothes confound him.

Even his loving wife and teenage son are repulsive to him. He feels lost amongst an alien species and hates everyone on the planet. Everyone, that is, except Newton, (and he's a dog).

Who is he really? And what could make someone change their mind about the human race?

'A writer at the peak of his powers . . . The book takes us from the first to the seventh circles of hell, from Salinger to de Sade' - Will SelfThe Informers is a collection of short stories with intertwining characters, from the author of American Psycho and Less Than Zero, Bret Easton Ellis. Their voices enfold us as seamlessly as those of DJs heard over a car radio. The characters go to the same schools. They eat at the same restaurants. They have sex with the same boys and girls. They buy from the same dealers. Fusing voices into an intense, impressionistic narrative that blurs genders, generations and even identities, these stories capture the lives of a group of people, connected in the way only people in L.A. can be - suffering from nothing less than the death of the soul.

'Who could read the programme for the excursion without longing to make one of the party?'So Mark Twain acclaims his voyage from New York City to Europe and the Holy Land in June 1867. His adventures produced The Innocents Abroad, a book so funny and provocative it made him an international star for the rest of his life. He was making his first responses to the Old World - to Paris, Milan, Florence, Venice, Pompeii, Constantinople, Sebastopol, Balaklava, Damascus, Jerusalem, Nazareth, and Bethlehem. For the first time he was seeing the great paintings and sculptures of the 'Old Masters'. He responded with wonder and amazement, but also with exasperation, irritation, disbelief. Above all he displayed the great energy of his humour, more explosive for us now than for his beguiled contemporaries.