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From the National Book Award-winning, Booker Prize-longlisted author of Let the Great World Spin and Transatlantic comes a passionate and practical book of advice, as essential for budding writers as Stephen King's On Writing'A warm, open-hearted paean to the joys of writing' Sunday Times 'Excellent ... cannot fail as a pick-me-up' ObserverI hope there is something here for any young writer - or any older writer, for that matter - who happens to be looking for a teacher to come along, a teacher who, in the end, can really teach nothing at all but fire. From the critically acclaimed Colum McCann, author of the National Book Award winner Let the Great World Spin, comes a paean to the power of language, and a direct address to the artistic, professional and philosophical concerns that challenge and sometimes torment an author. Comprising fifty-two short prose pieces, Letters to a Young Writer ranges from practical matters of authorship, such as finding an agent, the pros and cons of creative writing degrees and handling bad reviews, through to the more joyous and celebratory, as McCann elucidates the pleasures to be found in truthful writing, for: 'the best writing makes us glad that we are - however briefly - alive.' Emphatic and empathetic, pragmatic and profound, this is an essential companion to any author's journey - and a deeply personal work from one of our greatest literary voices.

A Lifehouse is an institution at the heart of each neighborhood that responds to the terrifying reality of climate collapse in our own communities. In this book Adam Greenfield, author of Radical Technologies, recovers lessons from the Black Panther survival programs, the astonishingly effective Occupy Sandy disaster-relief effort and the solidarity networks of crisis-era Greece, as well as municipalist Spain and autonomous Rojava, to show how practices of mutual care and local power can help shelter us from a future that often feels like it has no place for us or the values we cherish.

'You will hear it for yourselves, and it will surely fill you with wonder...' In this selection from Marco Polo's famous travel book, the intrepid Venetian describes the customs of India, recounts the story of the king who died eighty-four times and explains how to retrieve diamonds from snake-infested caves...

The story begins with a parting of the sands - the construction of the Suez Canal that united the Mediterranean with the Arabian Sea. It opened the door of opportunity for people living insecurely on the fringes of a turbulent Europe.

The Middle East is understood today through the lens of unending conflict and violence. Lost in the litany of perpetual strife and struggle are the layers of culture and civilisation that accumulated over centuries, and which give the region its cosmopolitan identity. It was once a region known poetically as the Levant - a reference to the East, where the sun rose. Amid the the bewildering mix of races, religions and rivalries, was above all an affinity with the three monotheistic religions: Judaism, Christianity and Islam.

Rebellion always starts somewhere, and in the music world of the transgressive teen whether it be the 1960s of the 2020s, The Velvet Underground represent ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang, around a psychedelic rock and roll band - a stylistic idea that evolved in the rarefied environs of Andy Warhol's Factory - The Velvets were the first major American rock group with a mixed gender line-up; they never smiled in photographs, wore sunglasses indoors, and in the process invented the archetype. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love.



Dylan Jones' definitive oral history of The Velvet Underground draws on contributions from remaining members, contemporaneous musicians, critics, film-makers, and the generation of artists who emerged in their wake, to celebrate not only their impact but their legacy, which burns brighter than ever into the 21st century.

Hungarian is a unique language. Though distantly related to Finnish, it has no significant similarities to any other language in the world. If you have some background in European languages you'll be surprised at just how different Hungarian is.

Who is Theophrastus, and why should we care?Once, he was the equal of Plato and Aristotle. Together he and Aristotle invented science. Alone he invented Botany. The character of the Wife of Bath is his invention, the Canterbury Tales as a whole, perhaps, the product of his inspiration. When Linnaeus was developing our modern system of plant taxonomy, it was Theophrastus' work on plants that he used as a basis. So how could one man do so much and still sink almost without a trace?This is the story of a journey to find him and bring him back from oblivion. Looking for Theophrastus, in all the places he must have walked and lived, it tells how he and Aristotle, his friend and tutor, broke with the philosophical conventions of the Academy and left on their own adventure; of how together they invented what we now take for granted as the Natural Sciences; how, not content with that, they made the great experiment of applying philosophy directly to the practicalities of government through the tutoring of Alexander the Great; how they were disappointed and how, in the end, they returned to Athens and founded the famous Lyceum. Against the dramatic context of his time - the end of democracy in Athens and the rise of Alexander the Great; the great battles and vast territorial expansion that followed; the flowering of the philosophy schools on which so much of our culture and thinking is founded - and on, following his cultural legacy through to the modern day, it explores how we perceive, understand and, most importantly, how we relate to the world around us, questioning what we lose from our way of living when we forget those ancients who first taught us how to see.

Lost in the Wilds of Greece tells of a love affair between the author and the vast wilderness areas still to be found in Greece. Travelling with her horse, George, she chronicles her encounters with the wild itself, and the people who still live there and preserve the magnificent landscape by using the farming methods that first shaped it.

She rode through the wildest parts of Greece while exploring from east to west and from south to north. She describes breathtakingly lovely countryside, and also records her dismay at the loss of much that is beautiful. Sleeping rough most of the time, she managed to keep her camera dry enough to take some great photos.

Brought up in England, Penny came to Greece forty years ago to teach English. But she lost her heart to the mountains and eventually broke away from civilization and rode out to find the freedom that only the wilderness can bestow. She is proud that because of these rides she became a member of the Long Riders' Guild and was made a fellow of the Royal Geographical Society.

172 colour photographs accompany the text.

'I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone. I just miss you...'At a dinner party in 1922, Virginia Woolf met the renowned author, aristocrat - and sapphist - Vita Sackville-West. Virginia wrote in her diary that she didn't think much of Vita's conversation, but she did think very highly of her legs. It was to be the start of almost twenty years of flirtation, friendship, and literary collaboration. Their correspondence ended only with Virginia's death in 1941. Intimate and playful, these selected letters and diary entries allow us to hear these women's constantly changing feelings for each other in their own words. Eavesdrop on the affair that inspired Virginia to write her most fantastical novel, Orlando, and discover a relationship that - even a hundred years later - feels radical and relatable.

Although there are many kinds of love, erotic love has been celebrated in art and poetry as life's most rewarding and exalting experience, worth living and dying for and bringing out the best in ourselves. And yet it has excused, and even been thought to justify, the most reprehensible crimes. Why should this be? This Very Short Introduction explores this and other puzzling questions. Do we love someone for their virtue, their beauty, or their moral or other qualities? Are love's characteristic desires altruistic or selfish? Are there duties of love? What do the sciences - neuroscience, evolutionary and social psychology, and anthropology - tell us about love?Many of the answers we give to such questions are determined not so much by the facts of human nature as by the ideology of love. Ronald de Sousa considers some of the many paradoxes raised by love, looking at the different kinds of love - affections, affiliation, philia, storage, agape, but focusses on eros, or romantic love. He considers whether our conventional beliefs about love and sex are deeply irrational and argues that alternative conceptions of love and sex, although hard to formulate and live by, may be worth striving for. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.