Λογοτεχνία

Caligula reveals some aspects of the existential notion of 'the absurd' by portraying an emperor so mighty and so desperate in his search for freedom that he inevitably destroys gods, men and himself. The dramatic impetus of Cross Purpose, however, comes from the tension between consent to and refusal of man's absurdity; it is the tragedy of a man who returns home to his mother and sister without revealing his identity to them. By the time of The Just and The Possessed, refusal and rebellion have taken over, and in these overtly political plays (the latter based on Dostoyevsky's The Devils) Camus dramatizes action and revolt in the name of liberty. Albert Camus was born in Algeria in 1913. His play, Caligula, appeared in 1939. His first two important books, L'Etranger (The Outsider) and the long essay Le Mythe de Sisyphe (The Myth of Sisyphus), were published when he returned to Paris. After the war he devoted himself to writing and established an international reputation with such books as La Peste (The Plague 1947), Les Justes (The Just 1949) and La Chute (The Fall; 1956). He was awarded the Nobel Prize for Literature in 1957. He was killed in a road accident in 1960.

The Call of the Wild (1903) and White Fang (1906) are world famous animal stories. Set in Alaska during the Klondike Gold Rush of the late 1890s, The Call of the Wild is about Buck, the magnificent cross-bred offspring of a St Bernard and a Scottish Collie. Stolen from his pampered life on a Californian estate and shipped to the Klondike to work as a sledge dog, he triumphs over his circumstances and becomes the leader of a wolf pack. The story records the 'decivilisation' of Buck as he answers 'the call of the wild', an inherent memory of primeval origins to which he instinctively responds. In contrast, White Fang relates the tale of a wolf born and bred in the wild which is civilised by the master he comes to trust and love. The brutal world of the Klondike miners and their dogs is brilliantly evoked and Jack London's rendering of the sentient life of Buck and White Fang as they confront their destiny is enthralling and convincing. The deeper resonance of these stories derives from the author's use of the myth of the hero who survives by strength and courage, a powerful myth that still appeals to our collective unconscious.

First, I'll tell about the robbery our parents committed. Then about the murders, which happened later. It was more bad instincts and bad luck that lead to Dell Parsons' parents robbing a bank. They weren't reckless people, but in an instant, their actions alter fifteen-year-old Dell's sense of normal life forever. In the days that follow, he is saved before the authorities think to arrive. Driving across Montana, his life hurtles towards the unknown; a hotel in a deserted town, the violent and enigmatic Arthur Remlinger, and towards Canada itself. But, as Dell discovers, in this new world of secrets and upheaval, he is not the only one whose past lies on the other side of the border.

Candide is an innocent young nobleman who leads an idyllic, sheltered life and has adopted the optimistic mindset promoted by his tutor Dr Pangloss. But after committing an indiscretion and being expelled from his family home, Candide finds himself on a journey that will take him to Portugal, Argentina, Britain and Turkey and expose him to torture, war, shipwreck and natural disasters, leading him to question whether he is really living in the "best of possible worlds". Published in 1759, when it became a best-seller and stirred up much controversy, Candide is an exhilarating picaresque romp and a biting satire by one of the Enlightenment's major figures that still resonates to this day.

With an Introduction and Notes by James Fowler, Senior Lecturer in French, University of Kent Candide (1759) is a bright, colourful literary firework display of a novella. With sparkling wit and biting humour, Voltaire hits several targets with fierce and comic satire: organised religion, the overweening pride of aristocrats, merchants' greed, colonial ambition and the hopeless complacency of Leibnizian philosophy that believes 'all is for the best in the best of all possible worlds'. Through this rites of passage story, with his central character, Candide, a naive and impressionable young man, Voltaire attacks the social ills of his day, which remarkably remain as pertinent now as ever. Zadig is a tale of love and detection. Edgar Allan Poe was inspired by this story when he created C. Auguste Dupin in 'The Murders in the Rue Morgue', a story which established the modern detective fiction genre. The Ingenu recounts how a young man raised by Huron Indians discover the ways of Europe. Nanine is a sharp three act comedy concerned with marital dilemmas. In all these works Voltaire manages to combine humour with trenchant satire in a highly entertaining fashion.

Sir Ranulph Fiennes is uniquely qualified to write a new biography of Captain Scott. This is the first biography of Scott by someone who has experienced the deprivations, the stress and the sheer physical pain that Scott lived through; he has suffered all but the final tragedy endured by the much maligned Scott. He is determined to put the record straight. As well as being the definitive biography of Scott, written with the full and exclusive cooperation of the Scott Estate, this book traces the way that Scott's reputation has been attacked and his achievements distorted. 'Sir Ranulph Fiennes has done Captain Scott's memory some service...he has certainly written a more dispassionate and balanced account than Huntford ever set out to do.' - Simon Courtauld, Spectator

THE NUMBER ONE SUNDAY TIMES BESTSELLERCartes Postales from Greece is an extraordinary new book from Victoria Hislop, the Sunday Times Number One bestselling author of The Island, The Return, The Thread, and The Sunrise. It is fiction in full colour - magical and unique.'Hislop's passionate love of the country breathes from every page' Daily Mail Week after week, the postcards arrive, addressed to a name Ellie does not know, with no return address, each signed with an initial: A.With their bright skies, blue seas and alluring images of Greece, these cartes postales brighten her life. After six months, to her disappointment, they cease. But the montage she has created on the wall of her flat has cast a spell. She must see this country for herself. On the morning Ellie leaves for Athens, a notebook arrives. Its pages tell the story of a man's odyssey through Greece. Moving, surprising and sometimes dark, A's tale unfolds with the discovery not only of a culture but also of a desire to live life to the full once more. Beloved, bestselling author Victoria Hislop's Cartes Postales from Greece is fiction illustrated with photographs that make this journey around Greece, already alive in the imagination, linger forever in the mind.

Cassandra, the daughter of King Priam of Troy, is cursed with the gift of true prophecies that are not believed by anyone. She foretells the city’s fall should Paris bring Helen as his wife, as well as the death of several of Troy’s heroes and her family. The classic myth turns into much more in Lesia Ukrainka’s rendering: Cassandra’s prophecies are uttered in highly poetic language—fitting for the genre of the work—and are not believed for that reason, rather than because of Apollo’s curse.

Cassandra as poet and as woman are the focal points of the drama. Cassandra: A Dramatic Poem encapsulates the complexities of Ukrainka’s late works: use of classical mythology and her intertextual practice; intense focus on issues of colonialism and cultural subjugation—and allegorical reading of the asymmetric relationship of Ukrainian and Russian culture; a sharp commentary on patriarchy and the subjugation of women; and the dilemma of the writer-seer who knows the truth and its ominous implications but is powerless to impart that to contemporaries and countrymen. This strongly autobiographical work commanded a significant critical reception in Ukraine and projects Ukrainka into the new Ukrainian cultural canon.

Presented here in a contemporary and sophisticated English translation attuned to psychological nuance, it is sure to attract the attention of the modern-day reader.

Unpleasant things are going on in an exclusive school for girls - things like murder... Late one night, two teachers investigate a mysterious flashing light in the sports pavilion, while the rest of the school sleeps. There, among the lacrosse sticks, they stumble upon the body of the unpopular games mistress - shot through the heart from point blank range.

The school is thrown into chaos when the 'cat' strikes again. Unfortunately, schoolgirl Julia Upjohn knows too much. In particular, she knows that without Hercule Poirot's help, she will be the next victim...

The major new novel from the international bestselling author Édouard Louis - about social class, transformation, and the perils of leaving the past behind. One question took centre stage in my life, it focused all of my thoughts and occupied every moment when I was alone with myself: how could I get this revenge, by what means? I tried everything. Édouard Louis longs for a life beyond the poverty, discrimination and violence in his working-class hometown - so he sets out for school in Amiens, and, later, university in Paris. He sheds the provincial 'Eddy' for an elegant new name, determined to eradicate every aspect of his past. He reads incessantly; he dines with aristocrats; he spends nights with millionaires and drug-dealers alike. Everything he does is motivated by a single obsession: to become someone else. At once harrowing and profound, Change is not just a personal odyssey, a story of dreams and of 'the beautiful violence of being torn away', but a profound portrait of a society divided by class, power and inequality.