Λογοτεχνία

Set in a mythical backwater Southern town, A Different Drummer is the extraordinary story of Tucker Caliban, a quiet, determined descendant of an African chief who for no apparent reason destroys his farm and heads for parts unknown--setting off a mass exodus of the state's entire Black population. A novel of compelling power and haunting impact.

Celebrating four decades of living in Greece, A DIFFERENT HEAVEN: NEW AND SELECTED POEMS joins the more prominent poems from Donald Schofield's five previous collections (three full length books and two chapbooks) with more recent work and a sampling of translations from modern Greek that have influenced his writing and continue to resonate off it. Taken together, the poems in this collection chart one American's experience of living in a part of the world where the ancient and modern, the urban and rural, and the mythical and mundane intermingle in wondrous and sometimes disconcerting ways. As the poems go deeper into the land, language and culture the author has come to embrace, they engage in an ongoing dialogue with such ancients as Homer, Herodotus, Plato and Aristotle. Other poems speak in the voice of marginalized biblical figures, such as Hagar, Joseph and Lazarus. Earlier free verse looks out at the world from within Egyptian sarcophagi and beneath the gilded surface of Byzantine icons. More recent blank verse and sonnets interact with shepherds and poets; painters and refugees; archaeologists, cemetery workers and assorted others who people the landscape that he now calls home. "For the past three decades Don Schofield has been writing and publishing the deeply affecting and finely crafted poems gathered here in a single volume, poems 'determined by nothing / but rhythm,' the rhythm of our lives as we lean into 'the glittering present.' Ranging from his adopted Greece with its cries of lambs--I aam, I aam--and its refugee camps to Nepal where he watches 'a tiger eating what remained of a baby water buffalo' to Hart Island in NY with its 'unclaimed dead in their plywood coffins' to the dusty Fresno of his violent boyhood where he imagines a place 'where love isn't fear,' these poems cast a precise eye on the natural landscape and our place in it: 'You can tell we're humans / by our short-billed caps.' A Different Heaven is a book best read slowly to savor the 'gentle lure' of these necessary and enduring poems."--Michael Waters "Wherever the poem comes from--from the poet's earthly place, I mean: say, Nevada, Montana, Italy, Greece, Egypt. anywhere--in the case of Don Scofield's work, the poem comes from somewhere the reader will recognize as implicitly true, minutely accurate, and abundantly beautiful. This is work by a man as in love with language as he is with the world and with this earth. You will be moved; you'll be astonished. You'll be very glad you read this book."--Robert Wrigley

A wealthy woman's attempts to help her financially troubled husband go unrewarded. “I must make up my mind which is right – society or I.”

In this light-hearted book, poet and gardener James Fenton describes a hundred plants he would choose to grow from seed. 'It seemed a simple and interesting idea: what plants would you choose if starting a garden from scratch?'Includes chapters on flowers for colour, size, or exotic interest; herbs and meadow flowers; climbing vines and tropical species; the micro-meadow; raising plants from seed; and a wealth of personal tips and advice. As Fenton writes, 'the emphasis is on childish simplicity of approach, and economy of outlay.'Here is a happy, stylish, thought-provoking exercise in good principles, which exudes that rare thing: common-or-garden sense about gardens.

Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles. A family sets out on a road trip in the American South. The grandmother suggests they change course in order to avoid "The Misfit", an escaped convict who's reportedly heading towards Florida. But when their car turns over in a ditch, who should they flag down for help but the very man whose picture they recognise from the paper . . . Flannery O'Connor's famous fifties story evokes heat and dust, family and feuding, God and grace - and is utterly uncompromising in its brutality. Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

Taking its title from T.S. Eliot's modernist poem The Waste Land, Evelyn Waugh's A Handful of Dust is a chronicle of Britain's decadence and social disintegration between the First and Second World Wars. This Penguin Modern Classics edition is edited with an introduction and notes by Robert Murray Davis. After seven years of marriage, the beautiful Lady Brenda Last is bored with life at Hetton Abbey, the Gothic mansion that is the pride and joy of her husband, Tony. She drifts into an affair with the shallow socialite John Beaver and forsakes Tony for the Belgravia set. Brilliantly combining tragedy, comedy and savage irony, A Handful of Dust captures the irresponsible mood of the 'crazy and sterile generation' between the wars. This breakdown of the Last marriage is a painful, comic re-working of Waugh's own divorce, and a symbol of the disintegration of society. If you enjouyed A Handful of Dust, you might like Waugh's Vile Bodies, also available in Penguin Modern Classics. 'One of the twentieth century's most chilling and bitter novels; and one of its best'Nicholas Lezard, Guardian'One of the most distinguished novels of the century'Frank Kermode'This is a masterpiece of stylish satire, and is funny, too ... a marvellous book'John Banville, Irish Times

Is it possible to die a happy death?This is the central question of Camus's astonishing early novel, published posthumously and greeted as a major literary event. It tells the story of a young Algerian, Mersault, who defies society's rules by committing a murder and escaping punishment, then experimenting with different ways of life and finally dying a happy man. In many ways A Happy Death is a fascinating first sketch for The Outsider, but it can also be seen as a candid self-portrait, drawing on Camus's memories of his youth, travels and early relationships. It is infused with lyrical descriptions of the sun-drenched Algiers of his childhood - the place where, eventually, Mersault is able to find peace and die 'without anger, without hatred, without regret'.

On the high seas of the Caribbean, a family of English children is set loose - sent by their parents from their home in Jamaica to receive the civilising effects of England. When their ship is captured by pirates, the thrilling cruise continues as the children transfer their affections from one batch of sailors to another. Innocence is their protection, but as life in the care of pirates reveals its dangers, the events which unfold begin to take on a savagely detached quality.

Writers' reviews for A High Wind in Jamaica:'One of my all time favourite books' Ann Patchett'I wouldn't let a 14-year-old near it' Meg Rosoff'I read the whole thing in one gulp. It was remarkable. Tiny.

Crazy. I felt just like I did as a kid.' Andrew Sean Greer'When I really like a book I'll sometimes read a passage or two aloud to whoever's nearby; this one I'd happily recite cover-to-cover' Imogen Hermes Gowar'A thrillingly good book' Martin Amis

Monks devious and devout - and an age-defying royal pair - chronicle the history of their fictional island in this witty critique of Western civilization and history itself. Eugene Vodolazkin, internationally acclaimed novelist and scholar of medieval literature, returns with a satirical parable about European and Russian history, the myth of progress, and the futility of war. This ingenious novel, described by critics as a coda to his bestselling Laurus, is presented as a chronicle of an island from medieval to modern times. The island is not on the map, but it is real beyond doubt. It cannot be found in history books, yet the events are painfully recognizable. The monastic chroniclers dutifully narrate events they witness: quests for power, betrayals, civil wars, pandemics, droughts, invasions, innovations, and revolutions. The entries mostly seem objective, but at least one monk simultaneously drafts and hides a "true" history, to be discovered centuries later. And why has someone snipped out a key prophesy about the island's fate?These chronicles receive commentary today from an elderly couple who are the island's former rulers. Prince Parfeny and Princess Ksenia are truly extraordinary: they are now 347 years old. Eyewitnesses to much of their island's turbulent history, they offer sharp-eyed observations on the changing flow of time and their people's persistent delusions. Why is the royal couple still alive? Is there a chance that an old prophecy comes to pass and two righteous persons save the island from catastrophe?In the tradition of Umberto Eco's The Name of the Rose, Julian Barnes's A History of the World in 10 1/2 Chapters, and Kazuo Ishiguro's The Buried Giant, Vodolazkin is at his best recasting history, in all its hubris and horror, by finding the humor in its absurdity. For readers with an appetite for more than a dry, rational, scientific view of what motivates, divides, and unites people, A History of the Island conjures a world still suffused with mystical powers.