Λογοτεχνία

The brilliant tale of Anais Nin's true love affair with Henry Miller, and her ambiguous, charged relationship with his wife, June. Drawn from the journals of a single momentous year in Paris, Henry and June provides a wildly lyrical account of a woman's sexual awakening and the disillusion of idealized marriage.

This is a complex story of flight. A woman tearing herself away from a major love affair is driven by the pain of her decision to take a long journey. She leaves the town of Patras, her friends, the bar she worked at, her self as she knew it and hitch-hikes to Epirus in winter, along deserted roads, catching rides with the men who drive these roads. Yiannena in Epirus leads her eventually to the island of Patmos where the battle to save her life reaches a climax. Feeling she is on the verge of losing her soul she rediscovers herself in the form of a sleeping child.Though hounded by failure, fear and silence, she discovers the true grandeur of love and with it a sense of her own self. Her mind and emotions are honed to such an exceptional degree that the pain she suffers becomes the way to self-realization. Because love, for the strong and the daring, always leads to the most inaccessible and divine parts of our being.

When Hera, immortal goddess and daughter of the ancient Titan Cronus, helps her brother Zeus to overthrow their tyrannical father, she dreams of ruling at his side. As they establish their reign on Mount Olympus, Hera suspects that Zeus might be just as ruthless and cruel as the father they betrayed. She was always born to rule, but must she lose herself in perpetuating this cycle of violence and cruelty? Or can she find a way to forge a better world? Often portrayed as the jealous wife or the wicked stepmother, this retelling captures the many sides of Hera, vengeful when she needs to be but also compassionate and most importantly, an all-powerful queen to the gods.

Alcestis * Heracles * Children of Heracles * CyclopsEuripides wrote about timeless themes, of friendship and enmity, hope and despair, duty and betrayal. The first three plays in this volume are filled with violence or its threat, while the fourth, Cyclops, is our only surviving example of a genuine satyr play, with all the crude and slapstick humour that characterized the genre. There is death in Alcestis, which explores the marital relationship of Alcestis and Admetus with pathos and grim humour, but whose status as tragedy is subverted by a happy ending. The blood-soaked Heracles portrays deep emotional pain and undeserved suffering; its demand for a more humanistic ethics in the face of divine indifference and callousness makes it one of Euripides' more popular and profound plays. Children of Heracles is a rich and complex work, famousfor its dialogues and monologues, in which the effects of war on refugees and the consequences of sheltering them are movingly explored. In Cyclops Euripides takes the familiar story of Odysseus' escape from the Cyclops Polyphemus and turns it to hilarious comic effect. Euripides' other plays are all available in Oxford World's Classics. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A prominent turn-of-the-century social critic and lecturer, Charlotte Perkins Gilman is perhaps best known for her short story "The Yellow Wallpaper," a chilling study of a woman's descent into insanity, and Women and Economics, a classic of feminist theory that analyzes the destructive effects of women's economic reliance on men. In Herland, a vision of a feminist utopia, Gilman employs humor to engaging effect in a story about three male explorers who stumble upon an all-female society isolated somewhere in South America. Noting the advanced state of the civilization they've encountered, the visitors set out to find some males, assuming that since the country is so civilized, "there must be men." A delightful fantasy, the story enables Gilman to articulate her then-unconventional views of male-female roles and capabilities, motherhood, individuality, privacy, the sense of community, sexuality, and many other topics. Decades ahead of her time in evolving a humanistic, feminist perspective, Gilman has been rediscovered and warmly embraced by contemporary feminists. An articulate voice for both women and men oppressed by the social order of the day, she adeptly made her points with a wittiness often missing from polemical writings. This inexpensive edition of Herland will charm readers with the tale's mischievous, ironic outlook.

Kesariani, once you were a star; for a moment you shone in the firmament and then, you vanished for ever into the void of history... There's nothing left. Now you're plastering the last traces of gunshots on your forehead, like an old dog licking its wounds, where the scar has healed." Marios Hakkas lived almost all his tragically short life close to the Athenian neighbourhood of Kesariani, in the shadow of Mount Hymettos. Throughout the Nazi Occupation of Greece, this district was the symbol of Greek Resistance and Hakkas' stories are indelibly marked by the blood-stained events of the Kesariani "Skopeftirio" (Shooting-Ground), where at least a thousand Greek Partisans sacrificed their lives. With sharp irony, but also occasional flashes of elegiac lyricism, Hakkas laments the loss of this valiant spirit. Wrathfully, he imagines the once heroic Shooting-Ground being sold out to land-grabbers, interested only in profiteering and money-grubbing shop-owners. The acquisition of a newfangled "elegant toilet" becomes the symbol of this new Kesariani, where disappointed ex-idealists are no longer able to dream or even to remember their recent struggles. However, the last story in the last book records the voice of a single lad, killed while resisting, and this outcry remains vibrantly alive, demanding justice from future generations.

In the twenty-one poems of the Heroides, Ovid gave voice to the heroines and heroes of epic and myth. These deeply moving literary epistles reveal the happiness and torment of love, as the writers tell of their pain at separation, forgiveness of infidelity or anger at betrayal. The faithful Penelope wonders at the suspiciously long absence of Ulysses, while Dido bitterly reproaches Aeneas for too eagerly leaving her bed to follow his destiny, and Sappho - the only historical figure portrayed here - describes her passion for the cruelly rejecting Phaon. In the poetic letters between Paris and Helen the lovers seem oblivious to the tragedy prophesied for them, while in another exchange the youthful Leander asserts his foolhardy eagerness to risk his life to be with his beloved Hero.

Saul Bellow's Herzog is part confessional, part exorcism, and a wholly unique achievement in postmodern fiction. Is Moses Herzog losing his mind? His formidable wife Madeleine has left him for his best friend, and Herzog is left alone with his whirling thoughts - yet he still sees himself as a survivor, raging against private disasters and the myriad catastrophes of the modern age. In a crumbling house which he shares with rats, his head buzzing with ideas, he writes frantic, unsent letters to friends and enemies, colleagues and famous people, the living and the dead, revealing the spectacular workings of his labyrinthine mind and the innermost secrets of his troubled heart. This Penguin Modern Classics edition includes an introduction by Malcolm Bradbury'Spectacular ... surely Bellow's greatest novel'Malcolm Bradbury'A masterpiece ... Herzog's voice, for all its wildness and strangeness and foolishness, is the voice of a civilization, our civilization'The New York Times Book Review

Newly promoted, Detective Sergeant William Warwick has been reassigned to the drugs squad. His first case: to investigate a notorious south London drug lord known as the Viper. But as William and his team close the net around a criminal network unlike any they have ever encountered, he is also faced with an old enemy, Miles Faulkner. It will take all of William's cunning to devise a means to bring both men to justice, a trap neither will expect, one that is hidden in plain sight . . . Filled with Jeffrey Archer's trademark twists and turns, Hidden in Plain Sight is the gripping next instalment in the life of William Warwick. It follows on from Nothing Ventured, but can be read as a standalone story.

Don and Mimi Galvin seemed to be living the American dream. After World War II, Don's work with the Air Force brought them to Colorado, where their twelve children perfectly spanned the baby boom: the oldest born in 1945, the youngest in 1965. In those years, there was an established script for a family like the Galvins - aspiration, hard work, upward mobility, domestic harmony - and they worked hard to play their parts. But behind the scenes was a different story: psychological breakdown, sudden shocking violence, hidden abuse. By the mid-1970s, six of the ten Galvin boys, one after the other, were diagnosed as schizophrenic. How could all this happen to one family?

What took place inside the house on Hidden Valley Road was so extraordinary that the Galvins became one of the first families to be studied by the National Institutes of Mental Health. Their story offers a shadow history of the science of schizophrenia, from the era of institutionalization, lobotomy, and the schizophrenogenic mother, to the search for genetic markers for the disease, always amidst profound disagreements about the nature of the illness itself. And unbeknownst to the Galvins, samples of their DNA informed decades of genetic research that continues today, offering paths to treatment, prediction, and even eradication of the disease for future generations.

With clarity and compassion, bestselling and award-winning author Robert Kolker uncovers one family's unforgettable legacy of suffering, love and hope.