Μυθιστόρημα

‘Glorious, fearless… possibly her very best’ Observer 'Pandora is a masterly creation' New York Times Pandora has looked up to her older brother Edison since they were children. Now she revels in the anonymity of her suburban Iowa life, while her brother basks in the limelight as a New York jazz musician. But when Edison arrives in Iowa, suddenly in need of a place to stay, Pandora literally doesn't recognize him. The once slim, hip pianist has gained hundreds of pounds. What happened? With Shriver's distinctive wit and ferocious energy, Big Brother asks: just how much should you sacrifice for someone who refuses to be saved? ––––––––––––––– ‘A surprising sledgehammer of a novel’ The Times ‘Shriver is brilliant on the novel shock that is hunger… glorious, fearless, almost fanatically hard-working prose’ Guardian ?‘Lionel Shriver's Big Brother has the muscle to overpower its readers. It is a conversation piece of impressive heft’ New York Times ‘Shriver is wonderful at the things she is always wonderful at. Pace and plot… . Psychology’ Independent ‘The latest compelling, humane and bleakly comic novel from the author of We Need to Talk about Kevin’ Evening Standard ‘Her best work… presents characters so fully formed that they inhabit her ideas rather than trumpet them’ New Republic

DISCOVER THE GRIPPING NO. 1 BESTSELLER BEHIND THE AWARD WINNING HBO SENSATION STARRING REESE WITHERSPOON, NICOLE KIDMAN & MERYL STREEP
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Perfect families, perfect houses, perfect lives.

Three mothers, Jane, Madeline and Celeste appear to have it all, until they find out just how easy it is for one little lie to spiral out of control . . .

Single mum Jane has just moved to town. She's got her little boy in tow - plus a secret she's been carrying for five years.

On the first day of the school run she meets Madeline - a force to be reckoned with, who remembers everything and forgives no one - and Celeste, the kind of beautiful woman who makes the world stop and stare, but is inexplicably ill at ease.

They both take Jane under their wing - while careful to keep their own secrets under wraps.

But a minor incident involving the children of all three women rapidly escalates: playground whispers become spiteful rumours until no one can tell the truth from the lies . . .

It was always going to end in tears, but how did it end in murder?

'Askaripour's satire of the tech industry . . . will appeal to fans of Paul Beatty's Booker-prizewinning novel "The Sellout" and Jordan Peele's film "Get Out"' The Economist'Mesmerizing. . . a high wire act full of verve and dark, comic energy.' Colson Whitehead, author of The Underground Railroad'I love this so much. It's effortlessly funny, smart and satisfyingly self-aware' Candice Carty-Williams, author of QueenieMeet Darren. An unambitious twenty-two-year-old living with his mother and working at Starbucks. All that changes when a chance encounter with Rhett Daniels, the silver-tongued CEO of NYC's hottest tech startup, results in Darren joining Rhett's elite sales team. On his first day Darren realizes he is the only Black person in the company, and when things start to get strange, he reimagines himself as 'Buck', a ruthless salesman, unrecognizable to his friends and family. Money, partying, and fame soon follow Buck, and wherever he goes more is never enough. But when tragedy strikes at home, Buck begins to hatch a plan to help young people of colour infiltrate America's sales force, setting off a chain of events that forever changes the game. An earnest work of satire, Black Buck is a hilarious, razor-sharp skewering of office culture; a propulsive, crackling debut that explores ambition and race, and makes way for a necessary new vision of the American dream. 'A crackling satire of corporate America' Guardian'A wonderful, riotous romp. A razor sharp, humorous examination of American workplace dynamics in the tech industry' Irenosen Okojie

'We are Progress and the New Age. Nothing can stand in our way.'When Oxford-educated Emperor Seth succeeds to the throne of the African state of Azania, he has a tough job on his hands. His subjects are ill-informed and unruly, and corruption, double-dealing and bloodshed are rife. However, with the aid if Minister of Modernization Basil Seal, Seth plans to introduce his people to the civilized ways of the west - but will it be as simple as that?

With an Introduction and Notes by Doreen Roberts, University of Kent at Canterbury. Illustrations by Hablot K. Browne (Phiz). Bleak House is one of Dickens' finest achievements, establishing his reputation as a serious and mature novelist, as well as a brilliant comic writer. It is at once a complex mystery story that fully engages the reader in the work of detection, and an unforgettable indictment of an indifferent society. Its representations of a great city's underworld, and of the law's corruption and delay, draw upon the author's personal knowledge and experience. But it is his symbolic art that projects these things in a vision that embraces black comedy, cosmic farce, and tragic ruin. In a unique creative experiment, Dickens divides the narrative between his heroine, Esther Summerson, who is psychologically interesting in her own right, and an unnamed narrator whose perspective both complements and challenges hers.

1950, London. Bloomsbury Books on Lamb's Conduit Street has resisted change for a hundred years, run by men and guided by the manager's unbreakable rules. But after the turmoil of war in Europe, the world is changing and the women in the shop have plans. As the paths of stylish Vivien, loyal Grace and brilliant Evie cross with literary figures such as Daphne Du Maurier, Samuel Beckett and Peggy Guggenheim, these Bloomsbury girls are working together to plot out a richer and more rewarding future.

Sherman McCoy is a WASP, bond trader and self-appointed 'Master of the Universe'. He has a fashionable wife, a Park Avenue apartment and a Southern mistress. His spectacular fall begins the moment he is involved in a hit-and-run accident in the Bronx. Prosecutors, newspaper hacks, politicians and clergy close in on him, determined to bring him down.

The Bonfire of the Vanities is a caustic satire on the money-feverish Eighties. This exuberant novel cemented Wolfe's reputation as the foremost chronicler of his age.

Sylish, shimmering and amoral, Sagan's tale of adolescence and betrayal on the French Riviera was her masterpiece, published when she was just eighteen. However, this frank and explicit novella was considered too daring for 1950s Britain, and sexual scenes were removed for the English publication. Now this fresh and accurate new translation presents the uncensored text in full for the first time. Bonjour Tristesse tells the story of Cecile, who leads a carefree life with her widowed father and his young mistresses until, one hot summer on the Riviera, he decides to remarry - with devastating consequences. In A Certain Smile, which is also included in this volume, Dominique, a young woman bored with her lover, begins an encounter with an older man that unfolds in unexpected and troubling ways. Both novellas have been freshly translated by Heather Lloyd and include an introduction by Rachel Cusk. Heather Lloyd has also written a new afterword for this edition. Francoise Sagan was born in France in 1935. Bonjour tristesse (1954), published when she was just 19, became a succes de scandale and even earned its author a papal denunciation. Sagan went on to write many other novels, plays and screenplays, and died in 2004. Heather Lloyd was previously Senior Lecturer in French at the University of Glasgow, and has published work on both Bonjour tristesse and Francoise Sagan. Rachel Cusk is the author of Saving Agnes (1993), which won the Whitbread First Novel Award; A Life's Work: On Becoming a Mother (2001); and Arlington Park (2006), shortlisted for the 2007 Orange Prize for Fiction. Her most recent book is Aftermath: On Marriage and Separation (2012). 'Funny, thoroughly immoral and thoroughly French' The Times