Λογοτεχνία

Samuel Adler is five years old when his father disappears during Kristallnacht the night their family loses everything. As her child s safety seems ever harder to guarantee, Samuel s mother secures a spot for him on the last Kindertransport train out of Nazi-occupied Austria to England. He boards alone, carrying nothing but a change of clothes and his violin. Arizona, 2019. Eight decades later, Anita Diaz and her mother board another train, fleeing looming danger in El Salvador and seeking refuge in the United States. But their arrival coincides with the new family separation policy, and seven-year-old Anita finds herself alone at a camp in Nogales. She escapes her tenuous reality through her trips to Azabahar, a magical world of the imagination. Meanwhile, Selena Duran, a young social worker, enlists the help of a successful lawyer in hopes of tracking down Anita s mother. Intertwining past and present, The Wind Knows My Name tells the tale of these two unforgettable characters, both in search of family and home. It is both a testament to the sacrifices that parents make, and a love letter to the children who survive the most unfathomable dangers and never stop dreaming.

THE POWERFUL AND MOVING NEW NOVEL FROM LITERARY LEGEND ISABEL ALLENDE‘A testament to love, survival and sacrifice’ HARPER’S BAZAAR No, we're not lost. The wind knows my name. And yours too.Vienna, 1938. Five-year-old Samuel Adler boards the last Kindertransport train out of Nazi-occupied Austria, escaping to England with just a change of clothes and his beloved violin. Eight decades later, Anita Diaz and her mother flee El Salvador for refuge in the United States, where the new family separation policy lands seven-year-old Anita alone at a camp in Nogales. Intertwining past and present, this is an unforgettable story of the search for family and home, the extraordinary sacrifices made by parents, and the courage of children to never stop dreaming. ‘Allende blends fact and fiction, love and war . . . As you read her escapist tale you develop a richer understanding of the world you inhabit’ BRITISH VOGUEPRAISE FOR THE AUTHOR‘A grand storyteller’ KHALED HOSSEINI‘A new novel by Isabel Allende is always a treat’ DAILY MAIL‘What a joy it must be to come upon Allende for the first time’ COLUM MCCANN‘A global literary great’ i

Grand Master Ursula K. LeGuin has been recognised for almost fifty years as one of the most important writers in the SF field - and is likewise feted beyond the confines of the genre. The Wind's Twelve Quarters was her first collection and it brings together some of finest short fiction, including the Hugo Award-winning 'The Ones Who Walk Away from Omelas', the Nebula Award-winning 'The Day Before the Revolution', and the Hugo-nominated 'Winter's King', which gave readers their first glimpse of the world later made famous in her Hugo- and Nebula-winning masterpiece The Left Hand of Darkness.

He was known as the Wizard of the Kremlin. The enigmatic Vadim Baranov was a TV producer beforebecoming political advisor to Putin. After he resigns from this position, legends about himmultiply, without anyone being able to distinguish truth from fiction. Until one night, he tellshis story to the narrator of this book...

First published in 1967, this book consists of three short novellas on the theme of women's vulnerability - in the first, to the process of ageing, in the second to loneliness, and, in the third, to the growing indifference of a loved one. THE WOMAN DESTROYED is a collection of three stories, each an exquisite and passionate study of a woman trapped by circumstances, trying to rebuild her life. In the first story, 'The Age of Discretion', a successful scholar fast approaching middle age faces a double shock - her son's abandonment of the career she has chosen for him and the harsh critical rejection of her latest academic work. 'The Monologue' is an extraordinary New Year's Eve outpouring of invective from a woman consumed with bitterness and loneliness after her son and her husband have left home. Finally, in 'The Woman Destroyed', Simone de Beauvoir tells the story of Monique, trying desperately to resurrect her life after her husband confesses to an affair with a younger woman. Compassionate, lucid, full of wit and knowing, Simone de Beauvoir's rare insight into the inequalities and complexities of women's lives is unsurpassable.

Following her bestselling, critically acclaimed The Silence of the Girls, Pat Barker continues her extraordinary retelling of one of our greatest myths. 'Myth for a MeToo age. Pat Barker returns to Homer in this gory but unexpectedly uplifting novel' Sunday TimesTroy has fallen.

The Greeks have won their bitter war. They can return home as victors - all they need is a good wind to lift their sails. But the wind has vanished, the seas becalmed by vengeful gods, and so the warriors remain in limbo - camped in the shadow of the city they destroyed, kept company by the women they stole from it.

The women of Troy. Helen - poor Helen. All that beauty, all that grace - and she was just a mouldy old bone for feral dogs to fight over.

Cassandra, who has learned not to be too attached to her own prophecies. They have only ever been believed when she can get a man to deliver them. Stubborn Amina, with her gaze still fixed on the ruined towers of Troy, determined to avenge the slaughter of her king.

Hecuba, howling and clawing her cheeks on the silent shore, as if she could make her cries heard in the gloomy halls of Hades. As if she could wake the dead. And Briseis, carrying her future in her womb: the unborn child of the dead hero Achilles.

Once again caught up in the disputes of violent men. Once again faced with the chance to shape history. Masterful and enduringly resonant, ambitious and intimate, The Women of Troy continues Pat Barker's extraordinary retelling of one of our greatest classical myths, following on from the critically acclaimed The Silence of the Girls.

'Readers turn to Barker's novels for their plain truths and clear-eyed sense of our history and creation stories. But the sombre clarity of her writing is offset by a luminous wisdom' Sunday Times 'The Women Of Troy's immediate beauty is its accessibility and Barker's precise, elegant writing' Metro'Barker has always looked on the world with the combination of a cold eye and a sympathetic understanding. Her characterisation is sharp, her sympathy deep' ipaper

With an Introduction and Notes by Phillip Mallett, Senior Lecturer in English, University of St Andrews. Educated beyond her station, Grace Melbury returns to the woodland village of little Hintock and cannot marry her intended, Giles Winterborne. Her alternative choice proves disastrous, and in a moving tale that has vibrant characters, many humorous moments and genuine pathos coupled with tragic irony, Hardy eschews a happy ending. With characteristic derision, he exposes the cruel indifference of the archaic legal system off his day, and shows the tragic consequences of untimely adherence to futile social and religious proprieties

Grandmaster A. E. van Vogt was one of the giants of the 1940s, the Golden Age of classic SF. Of his masterpieces, The World of Null-A is his most famous and most influential. It was the first major trade SF hardcover ever, in 1949, and has been in print in various editions ever since. The entire careers of Philip K. Dick, Keith Laumer, Alfred Bester, Charles Harness, and Philip Jose Farmer were created or influenced by The World of Null-A, and so it is required reading for anyone who wishes to know the canon of SF classics. It is the year 2650 and Earth has become a world of non-Aristotelianism, or Null-A. This is the story of Gilbert Gosseyn, who lives in that future world where the Games Machine, made up of twenty-five thousand electronic brains, sets the course of people's lives. Gosseyn isn't even sure of his own identity, but realizes he has some remarkable abilities and sets out to use them to discover who has made him a pawn in an interstellar plot.

This volume brings together Virginia Woolf's last two novels, The Years (1937) which traces the lives of members of a dispersed middle-class family between 1880 and 1937, and Between the Acts (1941), an account of a village pageant in the summer preceding the Second World War which successfully interweaves comedy, satire and disturbing observation. Rewriting the traditional family saga and the pageant, these unsettling novels provide extraordinary critiques of Englishness and English identity while pursuing compelling existentialist and psychological themes such as the nature of time, memory, personal relationships and sexual desire. Their tightly constructed narratives enable the reader to experience the fragmented lives of their characters and the difficulties that they have in communicating with each other and even understanding themselves. Read together, these novels illuminate each other in ways that will engage both the student and the general reader.