Λογοτεχνία

That one came alone, from some place else. He came slowly, following his own path. A white angel with jet-black wings! Kostas Karyotakis is the poet most emblematic of the turbulent interwar period in Greece. Though traditional in form, usually with end-rhyme and regular metres, Karyotakis’ poetry is modern in content, often pessimistic and bitingly satirical. His writing combines reverie with sarcasm, a stifling sense of every­day reality with poignant irony. This is verse that is both piercing and resonant.

Herman Melville towers among American writers not only for his powerful novels, but also for the stirring novellas and short stories that flowed from his pen. Two of the most admired of these — "Bartleby" and "Benito Cereno" — first appeared as magazine pieces and were then published in 1856 as part of a collection of short stories entitled The Piazza Tales. "Bartleby" (also known as "Bartleby the Scrivener") is an intriguing moral allegory set in the business world of mid-19th-century New York. A strange, enigmatic man employed as a clerk in a legal office, Bartleby forces his employer to come to grips with the most basic questions of human responsibility, and haunts the latter's conscience, even after Bartleby's dismissal. "Benito Cereno," considered one of Melville's best short stories, deals with a bloody slave revolt on a Spanish vessel. A splendid parable of man's struggle against the forces of evil, the carefully developed and mysteriously guarded plot builds to a dramatic climax while revealing the horror and depravity of which man is capable. Reprinted here from standard texts in a finely made, yet inexpensive new edition, these stories offer the general reader and students of Melville and American literature sterling examples of a literary giant at his story-telling best.

Written with Gerald Durrell's usual sharp eye for observing humour in any situation, Beasts in my Belfry will delight fans both old and new. At the age of two I made up my mind quite firmly and unequivocally that the only thing I wanted to do was study animals. Nothing else interested me. This is a charming account of Gerald Durrell's first job in 1945 as a student keeper at Whipsnade Zoo. Over a year, we encounter a typically absurd cast - including Albert the lion, who's a dab hand at ventriloquism, and Teddy the brown bear, with whom the young Durrell sings duets. With notebook and pen in hand, the eager young Durrell observes his co-workers and animal charges alike.

This rousing anthology features the work of more than twenty-five writers from the great twentieth-century counter-cultural literary movement. Writing with an audacious swagger and an iconoclastic zeal, and declaiming their verse with dramatic flourish in smoke-filled cafes, the Beats gave birth to a literature of previously unimaginable expressive range. The defining work of Allen Ginsberg and Jack Kerouac provides the foundation for this collection, which also features the improvisational verse of such Beat legends as Gregory Corso, Lawrence Ferlinghetti, Gary Snyder and Michael McClure and the work of such women writers as Diane di Prima and Denise Levertov.

LeRoi Jones's plaintive ''Preface to a Twenty Volume Suicide Note'' and Bob Kaufman's stirring ''Abomunist Manifesto'' appear here alongside statements on poetics and the alternately incendiary and earnest correspondence of Beat Generation writers. Visceral and powerful, infused with an unmediated spiritual and social awareness, this is a rich and varied tribute and, in the populist spirit of the Beats, a vital addition to the libraries of readers everywhere.

'A monument to crazy love. Magic' New York Times 'The actress arrived in his village the only way one could come directly . . .'In spring 1962 American actress Dee Moray's boat motors into an Italian bay and the life of hotelier Pasquale Tursi. Dee - fleeing a film set, claiming to be dying and desperately awaiting her lover - throws herself on Pasquale's generous mercy. Fifty years later Pasquale lands in Hollywood, sporting a fedora and seeking a long-forgotten actress. Why he's come, what happened to Dee in Italy and, later, LA, are questions that Beautiful Ruins answers in the most surprising and wonderfully entertaining manner. 'Exhilarating. Very, very funny' The Times

'A perfectly formed set of stories about alienation in modern times' Independent'Mesmerizing - almost ecstatic' The New York TimesMary Gaitskill's coolly compelling, quietly devastating stories explore the messy complexity of relationships between lovers, families and friends. An unsettling encounter on a plane; a tentative affair between an older woman and a younger man; the chasm between a father and his daughter: each expresses our longing for, and our fear of, human connection.

From the author of the bestselling Darwin: A Life in Poems, Ruth Padel's new collection follows in the footsteps of one of the world's greatest composers, Beethoven, and investigates what his life and music might mean to us todayTwo hundred and fifty years since Beethoven was born, Ruth Padel goes on a personal search for him, retracing his steps through war-torn Europe of the early nineteenth century, delving into his music, letters, diaries and the conversation books he used when deaf, to uncover the man behind the legend. Her quest, exploring the life of one of the most creative artists who ever lived, turns more personal than she expects, taking her into the sources of her own creativity and musicality. From a deeply musical family herself, Padel's parents met through music, and she grew up playing chamber music on viola - Beethoven's instrument as a child. Her father's grandfather, a concert pianist born on the German-Danish border, studied in Leipzig with a friend of Beethoven before immigrating to the UK. The poems in this illuminating biography in verse conjure not only Beethoven's life and personality, but her own music-making and love both of the European music-making tradition to which her father's family belongs, and to the continent itself Europe.

Set in Fresno, the Sierra Nevadas and Greece, the poems in Before Kodachrome look back unflinchingly at a fractured California childhood in the 1950s and ‘60s. In the process they lay out in stark contrast the dimensions of a life where parents, real and surrogate, are at once loving and violent, attentive and neglectful, righteous and morally bankrupt. From his adopted homeland, the cradle of Western civilization, the poet weaves stories from classical mythology, the Old Testament, fairy tales and popular American culture that show how a balanced adult self can be formed, not by avoiding childhood trauma and insistently “moving on,” but by using language and narrative to delve deep into one’s past and bring back artifacts that provide meaning, stability and, yes, at times, transcendence.