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Herodotus (c480-c425) is 'The Father of History' and his Histories are the first piece of Western historical writing. They are also the most entertaining. Why did Pheidippides run the 26 miles and 385 yards (or 42.195 kilometres) from Marathon to Athens? And what did he do when he got there? Was the Battle of Salamis fought between sausage-sellers? Which is the oldest language in the world? Why did Leonidas and his 300 Spartans spend the morning before the battle of Thermopylae combing their hair? Why did every Babylonian woman have to sit in the Temple of Aphrodite until a man threw a coin into her lap, and how long was she likely to sit there? And what is the best way to kill a crocodile? This wide-ranging history provides the answers to all these fascinating questions as well as providing many fascinating insights into the Ancient World.

The story of our ongoing fascination with Homer, the man and the myth. Homer, the great poet of the Iliad and the Odyssey, is revered as a cultural icon of antiquity and a figure of lasting influence. But his identity is shrouded in questions about who he was, when he lived, and whether he was an actual person, a myth, or merely a shared idea. Rather than attempting to solve the mystery of this character, James I. Porter explores the sources of Homer's mystique and their impact since the first recorded mentions of Homer in ancient Greece. Homer: The Very Idea considers Homer not as a man, but as a cultural invention nearly as distinctive and important as the poems attributed to him, following the cultural history of an idea and of the obsession that is reborn every time Homer is imagined. Offering novel readings of texts and objects, the book follows the very idea of Homer from his earliest mentions to his most recent imaginings in literature, criticism, philosophy, visual art, and classical archaeology.

A thrilling study of the greatest of all epic poems, by one of the world's leading classicistsHomer's Iliad is the famous epic poem set among the tales of Troy. Its subject is the anger of the hero Achilles and its dreadful consequences for the warring Greeks and Trojans. It was composed more than 2,600 years ago, but still transfixes us with its tale of loss and battle, love and revenge, guided throughout by the active presence of the gods.

Its beauty and profound bleakness are intensely moving but great questions remain: where, how and when it was composed and why it has such enduring power?In this compelling book Robin Lane Fox addresses these questions, drawing on a life-long love and engagement with the poem. He argues for a place, a date and a method for its composition, giving us a sense of alternative approaches and grounding his own in discoveries about long heroic poems composed elsewhere in the world, and the ever-growing evidence of archaeology. Unlike other books on the Iliad, this one combines the detailed expertise of a historian with the sensitivity of a teacher of it as poetry.

Lane Fox goes on to consider hallmarks of the poem, its values, implicit and explicit, its characters, its women, its gods and even its horses. He argues repeatedly for its beautiful observation and addresses its parallel use of what is, to us, the natural world. Thousands of readers turn to the Iliad every year.

In this superbly written and conceived tribute, Lane Fox expresses and amplifies what old and new readers can find in it. It is pervaded, he argues, by a poignant hardness which is not just a poetic trick. It is a deeply held view of the world.

A thrilling study of the greatest of all epic poems, by one of the world's leading classicistsHomer's Iliad is the famous epic poem set among the tales of Troy. Its subject is the anger of the hero Achilles and its dreadful consequences for the warring Greeks and Trojans. It was composed more than 2,600 years ago, but still transfixes us with its tale of loss and battle, love and revenge, guided throughout by the active presence of the gods. Its beauty and profound bleakness are intensely moving but great questions remain: where, how and when it was composed and why it has such enduring power?In this compelling book Robin Lane Fox addresses these questions, drawing on a life-long love and engagement with the poem. He argues for a place, a date and a method for its composition, giving us a sense of alternative approaches and grounding his own in discoveries about long heroic poems composed elsewhere in the world, and the ever-growing evidence of archaeology. Unlike other books on the Iliad, this one combines the detailed expertise of a historian with the sensitivity of a teacher of it as poetry. Lane Fox goes on to consider hallmarks of the poem, its values, implicit and explicit, its characters, its women, its gods and even its horses. He argues repeatedly for its beautiful observation and addresses its parallel use of what is, to us, the natural world. Thousands of readers turn to the Iliad every year. In this superbly written and conceived tribute, Lane Fox expresses and amplifies what old and new readers can find in it. It is pervaded, he argues, by a poignant hardness which is not just a poetic trick. It is a deeply held view of the world.

Homer's Iliad and Odyssey are the only early Greek heroic epics to have survived the transition to writing, even though extant evidence indicates that they emerged from a thriving oral culture. Among the missing are the songs of Boeotian Thebes. Homer's Thebes examines moments in the Iliad and Odyssey where Theban characters and thematic engagements come to the fore. Rather than sifting through these appearances to reconstruct lost poems, Elton Barker and Joel Christensen argue that the Homeric poems borrow heroes from Thebes to address key ideas-about politics, time, and genre-that set out the unique superiority of these texts in performance. By using evidence from Hesiod and fragmentary sources attributed to Theban tradition, Barker and Christensen explore Homer's appropriation of Theban motifs of strife and distribution to promote his tale of the sack of Troy and the returns home. As Homer's Thebes shows, this Theban material sheds light on the exceptionality of the Homeric epics through the notions of poetic rivalry and Panhellenism. Furthermore, by emphasizing a nonhierarchical model of "reading" the epics derived from oral-formulaic poetics, this book contributes to recent debates about allusion, neoanalysis, and intertextuality.

FROM THE AUTHOR OF THE NUMBER ONE BESTSELLER SAPIENS Sapiens showed us where we came from. Homo Deus shows us where we're going. War is obsolete. You are more likely to commit suicide than be killed in conflict. Famine is disappearing. You are at more risk of obesity than starvation. Death is just a technical problem. Equality is out - but immortality is in. What does our future hold[unk] Yuval Noah Harari, author of the bestselling phenomenon Sapiens envisions a not-too-distant world in which we face a new set of challenges. Homo Deus explores the projects, dreams and nightmares that will shape the twenty-first century - from overcoming death to creating artificial life. It asks the fundamental questions: Where do we go from here[unk] And how will we protect this fragile world from our own destructive powers[unk] 'Homo Deus will shock you. It will entertain you. Above all, it will make you think in ways you had not thought before' Daniel Kahneman, author of Thinking Fast, and Slow

Jennifer Saint, author of Sunday Times bestseller AriadneFrom the author of the critically acclaimed Ithaca - A Sunday Times Historical Fiction Book of the Year - comes an exquisite and gripping new tale that breathes life into ancient myth. This is the story of Penelope of Ithaca, famed wife of Odysseus, as it has never been told before. On the isle of Ithaca, Queen Penelope maintains a delicate balance of power. Many years ago, her husband, Odysseus, sailed to war with Troy and never came home. In his absence, Penelope uses all her cunning to keep the peace - but this is shattered by the arrival of Orestes, king of Mycenae, and his sister Elektra. Orestes's hands are stained with his mother's blood. Not so long ago, the son of Agamemnon took Queen Clytemnestra's life on Ithaca's sands. Now, racked with guilt, he is slowly losing his mind. Penelope knows destruction will follow in his wake as surely as the Furies circle him. His uncle, Menelaus, the battle-hungry king of Sparta, longs for Orestes's throne - and if he can seize it, no one will be safe from his violent whims. Trapped between two mad kings, Penelope fights to keep war from Ithaca's shores. Her only allies are Elektra and Helen of Troy, Menelaus's enigmatic wife. And watching over them all is the goddess Aphrodite, who has plans of her own. Each woman has a secret. And their secrets will shape the world. Praise for the Songs of Penelope series:'Darkly fascinating, raw and breathtaking' Jennifer Saint, author of Sunday Times bestseller Ariadne'Richly poetic . . . This is an impassioned plea for the lost, disenfranchised queens of ancient Greece, a love letter to the silenced women of history' Booklist'Penelope is proving to be an outstanding epic hero in her own right. A sensational retelling' Elodie Harper, Sunday Times bestselling author of The Wolf Den'Everything I've wanted in a retelling: a vibrant cast, full of suspense, told with a phenomenal narrative voice - this is an absolute masterpiece' Sarah Bonner, author of Her Perfect Twin'Conjures up a world in which women, abandoned by their men, must weave their own destinies' The Times'Claire North has set a new standard for Ancient Greek retellings. Absolutely sublime' Hannah Lynn, author of Athena's ChildThe Songs of Penelope series:Ithaca House of OdysseusThe Last Song of Penelope

THE PERFECT GIFT for those deluded fools who are expecting a little miracle . . . Allyce is taking Rainbeau to a local mother-and-baby group. It takes her forty five minutes to pack the bag with the change mat, nappies, wipes, nappy bags Sudocrem, milk, muslins, teething powders, rice cakes, bibs, Calpol, spare clothes, dummy, first aid kit, Mr Bun-Bun and hand gel.The playgroup is two minutes away. _____________The hospital follows Jasmine's birth plan so she can have a drug-free delivery.'I am glad it was all natural,' shouts Jasmine over the hissing and beeping and clanking and the hum of the lights. This delightful book is the latest in the series of Ladybird books which have been specially planned to help grown-ups with the world about them.The large clear script, the careful choice of words, the frequent repetition and the thoughtful matching of text with pictures all enable grown-ups to think they have taught themselves to cope. Featuring original Ladybird artwork alongside brilliantly funny, brand new text. 'Hilarious' Stylist

If recent history has taught us anything, it's that sometimes the best guide to leadership is the negative example. But that insight is hardly new. Nearly 2,000 years ago, Suetonius wrote Lives of the Caesars, perhaps the greatest negative leadership book of all time. He was ideally suited to write about terrible political leaders; after all, he was also the author of Famous Prostitutes and Words of Insult, both sadly lost. In How to Be a Bad Emperor, Josiah Osgood provides crisp new translations of Suetonius's briskly paced, darkly comic biographies of the Roman emperors Julius Caesar, Tiberius, Caligula, and Nero. Entertaining and shocking, the stories of these ancient anti-role models show how power inflames leaders' worst tendencies, causing almost incalculable damage.