Ελλάδα

Thessaloniki 1942. Vasilis Tsitsanis, the last outstanding performer of rebetiko music opens an ouzo tasting bar, an ouzeri, in the centre of the city. It soon attracts lovers of rebetiko, police officers, black market traffickers, spies, informants and anonymous partisan fighters. The centuries old city is living out its last days. The German occupying forces have set in motion the deportation of the large Jewish Sephardic community, represented by Estrella, a young girl enrolled in the resistance and the love object of the narrator of the novel. As it experiences its most difficult and decisive period in its history, the fascinating mosaic of Thessaloniki springs to life from the pages of Skambardonis’s novel. A mosaic made up of rebetiko, intrigue, love and betrayal set against the backdrop of a multi-cultural and multi-ethnic city which is on the verge of changing for ever.

Kazantzakis's classic novel, blacklisted by the Vatican, filmed by Scorsese, has been labelled heretical, blasphemous, and also a masterpiece. His Christ is an epic conception, wholly original.

'When Kazantzakis describes the raising of Lazarus, the early life of Mary Magdalene, the domestic lives of Martha and Mary, it is as if an old box of lantern slides had suddenly become a moving picture. The author has achieved a new and moving interpretation of a truly human Christ.' Times Literary Supplement

Une étude sur une trentaine d'oeuvres du Musée du Louvre qui ont pour point commun de représenter des scènes de meurtre. Le spécialiste présente pour chaque cas la nature du crime, historique ou mythologique, les protagonistes et les enjeux historiques.

'An evocative mix of history, food and storytelling.' EVENING STANDARD BEST FICTION 2021'a heart-warming, heart-breaking story of love, life, family and, of course, baking.' RUTH HOGANCyprus in the run up to the civil war of the 1970s... the threat of it hangs in the atmosphere like a fine mist. A terrible thing, war. Against this backdrop of war and violence, the island's inhabitants make the best they can of their lives, building friendships, falling in love, having children, watching people die, making mistakes. Maria Petrakis, however, flees a brutal marriage on the island where she has always lived for London and a new start. She opens a bakery on Green Lanes in Harringay - the centre of the small Greek Cypriot community whose residents have settled there to escape the war and start again. Here she comes into her own as she heals and atones through the kneading of bread and the selling of shamali cakes and cinnamon pastries to her customers. There are glimpses of the lives of her neighbours, friends and customers as they buy their bread and cakes. There's Mrs Koutsouli, whose heart was broken when her handsome son married a xeni, an English woman with fish-eyes and yellow hair. There's Mrs Pantelis, driven half-mad with the grief of losing her son, Nico, in the war. And there's Mrs Vasili who claims to be related to Nana Mouskouri and grows her hair upwards so she can feel closer to God. Finally, there's Elena, Maria Petrakis' daughter-in-law, who has been suffering with the blackness since having a baby, and whom nobody knows quite how to help. The Making Of Mrs Petrakis is a story about the limited choices women sometimes find themselves confronting. It's a story about repression and mental illness and the devastation it can wreak on lives. But above all, it is a story of motherhood and love and of healing through the humble act of baking.

Nicolaos, Classical Athens's favorite sleuth, and his partner in investigation, the clever priestess Diotima, have taken time off to come home and get married. But hoping to get hitched without a hitch proves overly optimistic: A skull discovered in a cave near the Sanctuary of Artemis, the ancient world's most famous school for girls, is revealed to be the remains of the Hippias, the reviled last tyrant to rule Athens. The Athenians fought the Battle of Marathon to keep this man out of power; he was supposed to have died thirty years ago, in faraway Persia. What are his remains doing outside the city walls? Nico's boss, the great Athenian statesman Pericles, wants answers, and he orders Nico to find them. Worst of all, one of the two Sanctuary students who discovered the skull has been killed, and the other is missing. Can the sleuths solve the interlocked crimes before their wedding?

"Vassa Solomou Xanthaki's novella The Marriage is considered to be a small classic of Greek literature, a work that is distinguished by the immediacy and freshness of its language while retaining a deep sensibility to traditional life in rural Greece. First published in 1975, it has been reprinted in Greek numerous times and is included in the esteemed Apostolidis Anthology, a collection of the best Greek narrative writing from the 19th century until the present day. In 1994 it was staged as a play with enormous success by the Thessalian Theatre Company, and went on to be performed throughout Greece, with a two-year run in Athens and tours to Cyprus and in the Balkans. The Marriage has also been published in German, Spanish, and Polish, and shortly will appear in French. The author writes: 'The subject of this book is simple: the wedding customs and songs of the village of Ambelakia in Thessaly as lived and experienced in one particular marriage, that of Lenaki and Nikolas. But after the weeklong wedding ceremonies are over the magical bridal veil of those days is slowly drawn back and, in unadorned contrast to those customs and celebrations, the realities of life begin to impose themselves. This fading away of enchantment together with the role played by the nuptial mystery in the subsequent course of the couple's lives was my ultimate theme. Within the restraints imposed by the bonds of marriage I wanted to search again for the mystical veins of tradition, especially in the figure of the woman of the countryside, that ""deep-set rock"", the pillar of the race. Show more Show less "

From its first appearance in 1903 The Murderess has been regarded as Alexandros Papadiamandis’s finest work. Set on his native island of Skiathos it tells the story of Hadoula, a widow with grown-up children, who has convinced herself that it is better little girls should leave this life when young so that they and their parents should not suffer the trials that inevitably would be inflicted on them by an inequitable society. In the throes of this misguided compassion she first murders her own granddaughter and afterwards finds herself set on a course she is unable to stop despite the promptings of her conscience and her awareness of the consequences. Papadiamandis charts this course and the events in her life that preceded it, and against a background of the island’s verdant and untrodden places and the living presence of the Church he explores the particular quality evil has of disguising itself as good, but without ever passing judgement on the murderess herself. Long considered one of Greece's most important writers, Papadiamandis's reflections on and observations of modern Greek life define the Greek experience in a way unmatched by any of his contemporaries. his new translation of The Murderess has been undertaken and published to mark the centenary of Papadiamandis's death.

Alexanor is a man who has seen too much blood. He has left the sword behind him to become a healer in the greatest sanctuary in Greece, turning his back on war. But war has followed him to his refuge at Epidauros, and now a battle to end the freedom of Greece is all around him. The Mediterranean superpowers of Rome, Egypt and Macedon are waging their proxy wars on Hellenic soil, turning Greek farmers into slaves and mercenaries. When wounded soldier Philopoemen is carried into his temple, Alexanor believes the man's wounds are mortal but that he is not destined to die. Because he knows Philopoemen will become Greece's champion. Its last hero. The new Achilles.

Ο "Συμβολαιογράφος" (1855) είναι το καλύτερο αφήγημα του Αλέξανδρου Ρίζου Ραγκαβή: διαδραματίζεται στην Κεφαλονιά τη δεύτερη δεκαετία του 19ου αιώνα και αναβιώνει την κεφαλονίτικη κοινωνία της εποχής με μια ιστορία δολοπλοκίας, αγωνίας και ερωτικού πάθους, στην οποία οι ήρωες συγχέουν τα όρια ανάμεσα στο "καλό" και στο "κακό". Για τον νεοελληνιστή Roderick Beaton αυτή η "ρεαλιστική ιστορία δολοπλοκίας, αγωνίας και ρομάντζου", μπορεί άνετα να συμπεριληφθεί στην ομάδα εκείνη των μυθιστορημάτων των Collins και του Poe "και μεταξύ των πρώτων αστυνομικών μυθιστορημάτων που γράφτηκαν ποτέ".

"Homer's ""The Odyssey"" is an epic that has endured for thousands of years, and this ""Penguin Classics"" edition is translated by E.V. Rieu, revised by D.C.H. Rieu, and contains an introduction by Peter Jones. The epic tale of Odysseus and his ten-year journey home after the Trojan war forms one of the earliest and greatest works of Western literature. Confronted by natural and supernatural threats - from the witch Circe who turns his men into pigs, to the twin terrors of Scylla and Charybdis; from the stupefied Lotus-Eaters to the implacable enmity of the sea-god Poseidon himself - Odysseus must test his bravery and native cunning to the full if he is to reach his homeland safely. But the danger is no less severe in his native Ithaca, as Odysseus finds himself contending with the suitors who, in his absence, have begun to surround his wife Penelope...E.V. Rieu's translation of ""The Odyssey"" was the first ""Penguin Classic"" to be published, and has itself achieved classic status. For this edition, Rieu's text has been sensitively revised and a new introduction added to complement his original introduction. Seven greek cities claim the honour of being the birthplace of Homer (c. 8th-7th century BC), the poet to whom the composition of the Iliad and Odyssey are attributed. The ""Iliad"" is the oldest surviving work of Western literature, but the identity - or even the existence - of Homer himself is a complete mystery, with no reliable biographical information having survived. If you enjoyed ""The Odyssey"", you might like Homer's ""The Iliad"", also available in ""Penguin Classics"". ""One of the world's most vital tales...""The Odyssey"" remains central to literature"". (Malcolm Bradbury)."