Λογοτεχνία

"The Upper Side of the World" is a novel. A biography of a person and a place, a life full of storms and calms in Santorini and Piraeus, yesterday and today. A life indissolubly bound up with the sea, shipping and seamanship: from the sails of the schooner, to the Liberty Ships as indemnity for the War: from neighbourhood gatherings on the Island, to travels into Europe.

Rich with wisdom and gentle irony, Goldsmith's only novel tells of an unworldly and generous vicar who lives contentedly with his large family until disaster strikes. But bankruptcy, his daughter's abduction, and the vicar's imprisonment fail to dampen his spirit. Considered the author's finest work, this book is a delightful lampoon of 18th-century literary conventions.

The second book in The Dandelion Dynasty, the epic fantasy trilogy by Ken Liu. Dara is united under the Emperor Ragin, once known as Kuni Garu, the bandit king. There has been peace for six years, but the Dandelion Throne rests on bloody foundations - Kuni's betrayal of his friend, Mata Zyndu, the Hegemon. The Hegemon's rule was brutal and unbending - but he died well, creating a legend that haunts the new emperor, no matter what good he strives to do. Where war once forged unbreakable bonds between Kuni's inner circle, peace now gnaws at their loyalties. Where ancient wisdoms once held sway, a brilliant scholar promises a philosophical revolution. And from the far north, over the horizon, comes a terrible new threat... The scent of blood is in the water.

From the acclaimed author of the dystopian classic A Clockwork Orange, The Wanting Seed is an inventive, thought-provoking and darkly absurd novel set in a work rampant with overpopulation. The Wanting Seed is part of our Penguin Essentials series which spotlights the very best of our modern classics. As governments struggle to maintain order in the face of overpopulation and food shortages and homosexuality is glorified in an attempt to further limit family sizes, Tristram Foxe and his wife Beatrice-Joanna find themselves facing dire choices. Their world transforms into a chaos of cannibalistic dining-clubs, fantastic fertility rituals, and wars without anger.

H. G. Wells' classic science fiction work, first serialized in 1897, is one of many invasion narratives prevalent in British literature towards the end of the 19th century. However, The War of the Worlds not only introduces the extraterrestrial element of brutal Martian forces on the rampage but also explores many other contemporary issues and themes.

Here then is a powerful first-person narrative that grapples with Martians, tripods, heat rays, the behaviour of crowds, love, human resilience and Woking.

With an Introduction and Notes by Dr Andrew Frayn, Lecturer in Twentieth-Century Literature and Culture at Edinburgh Napier University.In these two compelling novels H.G. Wells imagines terrifying futures in which civilisation itself is threatened. The narrator of The War of the Worlds is quick to discover that what appeared to be a falling star was, in fact, a metallic cylinder landing from Mars. Six million people begin to flee London in panic as tentacled invaders emerge and overpower the city. With their heat-ray, killing machines, black gas, and a taste for fresh human blood, is there anything that can be done to stop the Martians?In The War in the Air, naive but resourceful Bert Smallways is thrilled by speed and fascinated by the new flying machines. His curiosity sweeps him away by accident into a German plan to conquer America, beginning with the destruction of New York. The ease of movement in aerial warfare means that nothing and nobody is safe as Total War erupts, civilisation crumbles, and Bert's hopes of getting back to London to marry his love seem impossibly distant.

'One of the most brilliant first novels I have come across' Telegraph'One of the top 100 novels of the century' Independent 'Brilliant...irresistible...compelling' New York Times'Macabre, bizarre, and impossible to put down' Financial Times'Read it if you dare' Daily Express The Wasp Factory is a bizarre, imaginative, disturbing, and darkly comic look into the mind of a child psychopath - one of the most infamous of contemporary Scottish novels. 'Two years after I killed Blyth I murdered my young brother Paul, for quite different reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim. That's my score to date.

Three. I haven't killed anybody for years, and don't intend to ever again. It was just a stage I was going through.' Enter - if you can bear it - the extraordinary private world of Frank, just sixteen, and unconventional, to say the least.

I am writing to a rhythm and not to a plot', Virginia Woolf stated of her eighth novel, The Waves. Widely regarded as one of her greatest and most original works, it conveys the rhythms of life in synchrony with the cycle of nature and the passage of time. Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The subsequent continuity of these six main characters, as they develop from childhood to maturity and follow different passions and ambitions, is interspersed with interludes from the timeless and unifying chorus of nature. In pure stream-of-consciousness style, Woolf presents a cross-section of multiple yet parallel lives, each marked by the disintegrating force of a mutual tragedy. The Waves is her searching exploration of individual and collective identity, and the observations and emotions of life, from the simplicity and surging optimism of youth to the vacancy and despair of middle-age.

Shortly before his death at a tragically young age, author Thomas Wolfe presented his editor with an epic masterwork that was subsequently published as three separate novels: You Can't Go Home Again, The Hills Beyond, and The Web and the Rock.

The Web and the Root features the three initial sections of the The Web and the Rock, widely considered to be the book's strongest material. A prequel to You Can't Go Home Again, it is the story of George Webber's momentous journey from Libya Falls, North Carolina, to the Golden City of the North--offering vivid, sometimes cutting depictions of rural pleasures and small-town clannishness while exploring boundless urban possibility and the complex, violent undercurrents of the metropolis.

`As a man loved a woman, that was how I loved...It was good, good, good...' Stephen is an ideal child of aristocratic parents - a fencer, a horse rider and a keen scholar. Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions. The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel. It has influenced how love between women is understood, for the twentieth century and beyond.