Λογοτεχνία

The Blue Flowers follows two unlikely characters: Cidrolin, who alternates between drinking and napping on a barge parked along the Seine in the 1960s, and the Duke d'Auge as he rages through history--about 700 years of it--refusing to crusade, clobbering his king with a cannon, and dabbling in alchemy. But is it just a coincidence that the Duke appears only when Cidrolin is dozing? And vice versa? As Raymond Queneau explains: "There is an old Chinese saying: 'I dream that I am a butterfly and pray there is a butterfly dreaming he is me.' The same can be said of the characters in this novel--those who live in the past dream of those who live in the modern era--and those who live in the modern era dream of those who live in the past." Channeling Villon and Céline, Queneau attempts to bring the language of the French streets into common literary usage, and his mad wordplays, puns, bawdy jokes, and anachronistic wackiness have been kept amazingly and glitteringly intact by the incomparable translator Barbara Wright.

Collins brings the Queen of Crime, Agatha Christie, to English language learners. Agatha Christie is the most widely published author of all time and in any language. NowCollins has adapted her famous detective novels for English language learners. These readers have been carefully adapted using the Collins COBUILD grading scheme to ensure that the language is at the correct level for an intermediate learner. This book is Level 3 in the Collins ELT Readers series. Level 3 is equivalent to CEF level B1 with a word count of 11,000 - 20,000 words. Each book includes:* Full reading of the adapted version available for free online* Helpful notes on characters* Cultural and historical notes relevant to the plot* A glossary of the more difficult words* Free online resources for students and teachers atwww.collinselt.com/readers The plot:Colonel Bantry and his wife Dolly live in a grand old house outside a small village. Nothing ever happens there. Imagine their surprise when one morning they are woken by their maid who tells them that the body of a girl has been found in their study. Who is she? And how did she end up on their rug?Dolly asks her friend Miss Marple to help discover the truth - can she help explain this mystery and clear Colonel Bantry's name? About Collins ELT Readers Collins ELT Readers are divided into 7 levels:Level 1 - elementary (A2)Level 2 - pre-intermediate (A2-B1)Level 3 - intermediate (B1)Level 4 - upper- intermediate (B2)Level 5 - upper-intermediate+(B2+)Level 6 - advanced (C1)Level 7 - advanced + (C2) Each level is carefully graded to ensure that the learner both enjoys and benefits from their reading experience.

When Marcel Schwob published The Book of Monelle in French in 1894, it immediately became the unofficial bible of the French Symbolist movement, admired by such contemporaries as Stéphane Mallarmé, Alfred Jarry and André Gide. A carefully woven assemblage of legends, aphorisms, fairy tales and nihilistic philosophy, it remains a deeply enigmatic and haunting work more than a century later, a gathering of literary and personal ruins written in a style that evokes both the Brothers Grimm and Friedrich Nietzsche. The Book of Monelle was the result of Schwob's intense emotional suffering over the loss of his love, a "girl of the streets" named Louise, whom he had befriended in 1891 and who succumbed to tuberculosis two years later. Transforming her into the innocent prophet of destruction, Monelle, Schwob tells the stories of her various sisters: girls succumbing to disillusionment, caught between the misleading world of childlike fantasy and the bitter world of reality. This new translation reintroduces a true fin-de-siècle masterpiece into English. A secret influence on generations of writers, from Guillaume Apollinaire and Jorge Luis Borges to Roberto Bolaño, Marcel Schwob (1867-1905) was as versed in the street slang of medieval thieves as he was in the poetry of Walt Whitman (whom he translated into French). Paul Valéry and Alfred Jarry both dedicated their first books to him, and he was the uncle of Surrealist photographer Claude Cahun.

In the mid-eighteenth century, as new ideas begin to sweep the continent, a young Jew of mysterious origins arrives in a village in Poland. Before long, he has changed not only his name but his persona; visited by what seem to be ecstatic experiences, Jacob Frank casts a charismatic spell that attracts an increasingly fervent following. In the decade to come, Frank will traverse the Hapsburg and Ottoman empires, throngs of disciples in his thrall as he reinvents himself again and again, converts to Islam and then Catholicism, is pilloried as a heretic and revered as the Messiah, and wreaks havoc on the conventional order, Jewish and Christian alike, with scandalous rumours of his sect's secret rituals and the spread of his increasingly iconoclastic beliefs. In The Books of Jacob, her masterpiece, 2018 Nobel Prize in Literature laureate Olga Tokarczuk writes the story of Frank through the perspectives of his contemporaries, capturing Enlightenment Europe on the cusp of precipitous change, searching for certainty and longing for transcendence.

Shortlisted for the Booker Prize. In a small East Anglian town, Florence Green decides, against polite but ruthless local opposition, to open a bookshop. Hardborough becomes a battleground. Florence has tried to change the way things have always been done, and as a result, she has to take on not only the people who have made themselves important, but natural and even supernatural forces too. Her fate will strike a chord with anyone who knows that life has treated them with less than justice.

The plot of this novel revolves around the feminist movement in Boston in the 1870s. F.R. Leavis called it one of "the two most brilliant novels in the language.

The stories presented in this selection encompass the main and universal themes that best exemplify his work. In them he records and recreates that modern Greek experience as it was lived in its many perspectives - displacement, emigration, home-coming, estrangement, exile, attempts to reclaim lost innocence, visions of Paradise, the daily struggle for survival - and explores the souls of men and women as they succumbed to or struggled against the power of evil and dealt with life's ambiguities. Within these themes Papadiamandis also embraced the mythic past as it survived through people's belief in supernatural wonders and which animated the countryside with haunted ruins, nymphs and fairies and the sea with mermaids and Tritons. His was an authentic expression of a reality that he saw as a seamless whole in which man, whether or not he is conscious of it, spirits and the natural world all participate in a living liturgical now, ever moving towards their eternal source.

The stories included in this second volume of Alexandros Papadiamandis’s literary work were written during the years 1894–1902, a period regarded as his most creative. As the nineteenth century gives way to the twentieth, in these stories we are presented with an unrivalled gallery of authentic individuals who are emerging out of a past defined by traditional beliefs and practices while moving into a new age shaped by the challenges of modernity. Wandering dervishes, naked witches in the moonlight, a child falling in love with a hamadryad, nymphs inhabiting both sea and land, desperate lovers, graceful adolescents, stalwart rustics, seafarers, outcasts, wild revellers — figures in both country and urban landscapes with their unrequited longings, unrealistic expectations, utopian hopes, daily drudgery, often living on the edge of hope and despair, salvation and damnation, beauty and awfulness. By simply observing life around him and recording it in his unique manner he was able to capture things mysterious, inexplicable, paradoxical and contradictory, namely the inexhaustible richness of existence.