Μυθιστόρημα

A collection of short fiction stories spanning the last 30 years from award-winning author Russell Banks.

A well worked fantasy. -- Kirkus. While stranded in a desert of central Australia, a small fossil-hunting expedition makes an unexpected discovery from prehistory: living colonies of six-foot-tall ants and giant mantises.

A dazzling and intricate tale from Elif Shafak, Booker-shortlisted author of 10 Minutes 38 Seconds in this Strange World - chosen for the Duchess of Cornwall's online book club The Reading Room'There were six of us: the master, the apprentices and the white elephant. We built everything together...'Sixteenth century Istanbul: a stowaway arrives in the city bearing an extraordinary gift for the Sultan. The boy is utterly alone in a foreign land, with no worldly possessions to his name except Chota, a rare white elephant destined for the palace menagerie.

So begins an epic adventure that will see young Jahan rise from lowly origins to the highest ranks of the Sultan's court. Along the way he will meet deceitful courtiers and false friends, gypsies, animal tamers, and the beautiful, mischievous Princess Mihrimah. He will journey on Chota's back to the furthest corners of the Sultan's kingdom and back again.

And one day he will catch the eye of the royal architect, Sinan, a chance encounter destined to change Jahan's fortunes forever. Filled with all the colour of the Ottoman Empire, when Istanbul was the teeming centre of civilisation, The Architect's Apprentice is a magical, sweeping tale of one boy and his elephant caught up in a world of wonder and danger. 'A gorgeous picture of a city teeming with secrets, intrigue and romance' The Times'Exuberant, epic and comic, fantastical and realistic .

. . like all good stories it conveys deeper meanings about human experience' Financial Times'Fascinating.

A vigorous evocation of the Ottoman Empire at the height of its power' Sunday Times'Intricate, multi-layered, resplendent, vividly evoked, beautifully written' Observer*Elif Shafak's latest novel The Island of Missing Trees is available now*

A wonderful new selection of Henry James's short stories exploring the relationship between art and life, edited by Michael Gorra. This volume gathers seven of the very best of Henry James's short stories, all focussing the relationship between art and life. In 'The Aspern Papers', a critic is determined to get his hands on a great poet's papers hidden in a faded Venetian house - not matter what the human cost.

'The Author of Beltraffio', 'The Lesson of the Master' and 'The Figure in the Carpet' all focus on naive young men's unsettling encounters with their literary heroes. In 'The Middle Years', a dying novelist begins to glimpse his own potential, while 'The Real Thing' and 'Greville Fane' both explore the tension between artistic and commercial success. These fables of the creative life reveal James at his ironic, provocative best.

Henry James was born in 1843 in New York and died in London in 1916. In addition to many short stories, plays, books of criticism, autobiography and travel, he wrote some twenty novels, the first published being Roderick Hudson (1875). They include The Europeans, Washington Square, The Portrait of a Lady, The Bostonians, The Princess Casamassima, The Tragic Muse, The Spoils of Poynton, The Awkward Age, The Wings of the Dove, The Ambassadors and The Golden Bowl.

Michael Gorra is Professor of English at Smith College and the author of Portrait of a Novel: Henry James and the Making of an American Masterpiece (2012), a finalist for both the Pulitzer Prize and the James Tait Black Memorial Prize in biography.

'THE MOST IMPORTANT LIVING RUSSIAN WRITER' New Yorker MY HEAD SPINS. I'M LYING IN A BED. WHERE AM I? WHO AM I?A man wakes up in hospital. He has no idea who he is or how he came to be there. The doctor tells him his name, but he doesn't remember it. He remembers nothing. As memories slowly resurface, he begins to build a picture of his former life. Russia in the early twentieth century, the turbulence of the revolution, the aftermath. But how can this be possible when the pills beside his bed are dated 1999?In the deft hands of Eugene Vodolazkin, author of the multi award-winning Laurus, The Aviator paints a vivid, panoramic picture of life in Russia at the beginning of the twentieth century, richly evoking the sights, sounds and political turmoil of those days. Reminiscent of the great works of Russian literature, and shortlisted for the Russian Booker Prize, it cements Vodolazkin's position as the rising star of Russia's literary scene.

Rich in invention, psychological truth and sheer entertainment, the five short novels that comprise The Avignon Quintet form one of the key works of an undisputed modern master. 'Another constellation of Mediterranean mysteries and memories. This time it is not Alexandria, but Avignon: the old kingdom of the Popes, the capital of the ancient South of France, the heart of legendary Provence . . . The evocation of all of this is superb . . . Our old guide bleu in vintage form.' The Times

First published in 1899, this beautiful, brief novel so disturbed critics and the public that it was banished for decades afterward. Now widely read and admired, "The Awakening" has been hailed as an early vision of woman's emancipation. This sensuous book tells of a woman's abandonment of her family, her seduction, and her awakening to desires and passions that threated to consumer her. Originally entitled "A Solitary Soul, " this portrait of twenty-eight-year-old Edna Pontellier is a landmark in American fiction, rooted firmly in the romantic tradition of Herman Melville and Emily Dickinson. Here, a woman in search of self-discovery turns away from convention and society, and toward the primal, from convention and society, and toward the primal, irresistibly attracted to nature and the senses "The Awakening," Kate Chopin's last novel, has been praised by Edmund Wilson as "beautifully written." And Willa Cather described its style as "exquisite," "sensitive, " and "iridescent." This edition of "The Awakening" also includes a selection of short stories by Kate Chopin. "This seems to me a higher order of feminism than repeating the story of woman as victim... Kate Chopin gives her female protagonist the central role, normally reserved for Man, in a meditation on identity and culture, consciousness and art." -- From the introduction by Marilynne Robinson.

Longlisted for the Women's Prize for Fiction 2023A BBC Radio 2 Book Club Pick 2023'Not since Aravind Adiga's The White Tiger has the rotten core of modern India been exposed in quite such blackly antic fashion as Parini Shroff manages here in this intermittently absurd, feminist revenge caper about a group of snarky, much-abused, predominantly Hindu wives...sheer gutsy verve.' The Times'A darkly funny revenge drama rooted in the reality of rural India . . . [A] vivid, unsentimental story that succeeds in being both satirical and moving.' Guardian'A radically feel-good story about the murder of no-good husbands by a cast of unsinkable women' - New York Times'Mordantly humoured, pacey feminist revenge thriller' - The Sunday Times__________________________________For Geeta, life as a widow is more peaceful than life as a wife... Until the other women in her village decide they want to be widows, too. Geeta is believed to have killed her vanished husband - a rumour she hasn't bothered trying to correct, because a reputation like that can keep a single woman safe in rural India. But when she's approached for help in ridding another wife of her abusive drunk of a husband, her reluctant agreement sets in motion a chain of events that will change the lives of all the women in the village.... A darkly irreverent and fresh take on a feminist revenge thriller, perfect for readers of My Sister the Serial Killer, How To Kidnap The Rich and the Sharon Horgan series Bad Sisters. 'Tender, unpredictable, brimming with laugh-out-loud moments' Téa Obreht, author of THE TIGER'S WIFE'Original, memorable, and endearing' Charmaine Wilkerson, author of BLACK CAKE'A rollicking mash-up of adventure story, thriller, dark revenge, and comedy' Cristina García, author of DREAMING IN CUBAN

A Hay Festival and The Pool VOTE 100 BOOKS for Women SelectionOne rainy afternoon in Istanbul, a woman walks into a doctor's surgery. 'I need to have an abortion', she announces. She is nineteen years old and unmarried. What happens that afternoon will change her life. Twenty years later, Asya Kazanci lives with her extended family in Istanbul. Due to a mysterious family curse, all the Kaznci men die in their early forties, so it is a house of women, among them Asya's beautiful, rebellious mother Zeliha, who runs a tattoo parlour; Banu, who has newly discovered herself as clairvoyant; and Feride, a hypochondriac obsessed with impending disaster. And when Asya's Armenian-American cousin Armanoush comes to stay, long hidden family secrets connected with Turkey's turbulent past begin to emerge. 'Wonderfully magical, incredible, breathtaking...will have you gasping with disbelief in the last few pages' Sunday Express'A beautiful book, the finest I have read about Turkey' Irish Times'Heartbreaking...the beauty of Islam pervades Shafak's book' Vogue

Inspired by Boileau’s Lutrin and illustrating the debate within European intellectual circles between the “Ancients”, who argued that all essential knowledge was to be found in classical texts, and the “Moderns”, who claimed that contemporary learning superseded the old sources, The Battle of the Books shows Swift at his wittiest and most trenchant. In this early satire, various books in St James’s Library take on a life of their own and come into conflict with one another, in a pastiche of the heroic epic genre. As well as providing humorous reflections on the nature of scholarship and education, Swift seizes the opportunity to take swipes at several authors and critics.

The result is a timeless and entertaining parody by one of the most enduringly popular writers in the English language.