Μυθιστόρημα

An alternate history first contact adventure set in the early 2000's, pitched as Arrival meets The Three-Body Problem, by video essayist Lindsay Ellis. By the fall of 2007, one well-timed leak revealing that the U.S. government might have engaged in first contact has sent the country into turmoil, and it is all Cora Sabino can do to avoid the whole mess.

The force driving this controversy is Cora's whistleblower father, and even though she hasn't spoken to him in years, his celebrity has caught the attention of the press, the Internet, the paparazzi, and the government and redirected it to her. She neither knows nor cares whether her father's leaks are a hoax, and wants nothing to do with him until she learns just how deeply entrenched her family is in the cover-up, and that an extraterrestrial presence has been on Earth for decades. To save her own life, she offers her services as an interpreter to a monster, and the monster accepts.

Learning the extent to which both she and the public have been lied to, she sets out to gather as much information as she can, and finds that the best way for her to find the truth is not as a whistleblower, but as an intermediary. The alien presence has been completely uncommunicative until she convinces one of them that she can act as their interpreter, becoming the first and only human vessel of communication. But in becoming an interpreter, she begins to realize that she has become the voice for a being she cannot ever truly know or understand, and starts to question who she's speaking for and what future she's setting up for all of humanity.

In the Midwestern city of Zenith, the middle-aged estate agent George F. Babbitt appears to have achieved the American dream to its fullest: he is successful at work, comfortably off, exceedingly well fed, has a wife and children, a motor car and a neat house with a neat yard, and is a proud member of all the right clubs - in short, he lacks nothing to be happy. Or does he? As we follow his humdrum daily routine and startling events begin to unfold around him, we discover that all is not well in Babbitt's world: his moral foundations are shaking, and he can't help harbouring rebellious dreams of escape and romance.

A trenchant satire on consumeristic society and an indictment of the fatuous ideals of middle America in the Roaring Twenties, Babbitt - the crowning achievement of Sinclair Lewis, winner of the 1930 Nobel Prize in Literature - questions the attractions of materialistic fulfilment, at the same time laying bare the hollowness of social respectability and blind conformism.

A revolution brewing for generations has begun in fire. It will end in blood. The Free Navy - a violent group of Belters in black-market military ships - has crippled the Earth and begun a campaign of piracy and violence among the outer planets.

The colony ships heading for the thousand new worlds on the far side of the alien ring gates are easy prey, and no single navy remains strong enough to protect them. James Holden and his crew know the strengths and weaknesses of this new force better than anyone. Outnumbered and outgunned, the embattled remnants of the old political powers call on the Rocinante for a desperate mission to reach Medina Station at the heart of the gate network.

But the new alliances are as flawed as the old, and the struggle for power has only just begun. As the chaos grows, an alien mystery deepens. Pirate fleets, mutiny and betrayal may be the least of the Rocinante's problems.

And in the uncanny spaces past the ring gates, the choices of a few damaged and desperate people may determine the fate of more than just humanity.

Mary Gaitskill's tales of desire and dislocation in 1980s New York caused a sensation with their frank, caustic portrayals of men and women's inner lives. As her characters have sex, try and fail to connect, play power games and inflict myriad cruelties on each other, she skewers urban life with precision and candour.

'Stubbornly original, with a sort of rhythm and fine moments that flatten you out when you don't expect it, these stories are a pleasure to read' Alice Munro

'An air of Pinteresque menace hangs over these people's social exchanges like black funereal bunting ... Gaitskill writes with such authority, such radar-perfect detail' Michiko Kakutani, The New York Times

Herman Melville towers among American writers not only for his powerful novels, but also for the stirring novellas and short stories that flowed from his pen. Two of the most admired of these — "Bartleby" and "Benito Cereno" — first appeared as magazine pieces and were then published in 1856 as part of a collection of short stories entitled The Piazza Tales. "Bartleby" (also known as "Bartleby the Scrivener") is an intriguing moral allegory set in the business world of mid-19th-century New York. A strange, enigmatic man employed as a clerk in a legal office, Bartleby forces his employer to come to grips with the most basic questions of human responsibility, and haunts the latter's conscience, even after Bartleby's dismissal. "Benito Cereno," considered one of Melville's best short stories, deals with a bloody slave revolt on a Spanish vessel. A splendid parable of man's struggle against the forces of evil, the carefully developed and mysteriously guarded plot builds to a dramatic climax while revealing the horror and depravity of which man is capable. Reprinted here from standard texts in a finely made, yet inexpensive new edition, these stories offer the general reader and students of Melville and American literature sterling examples of a literary giant at his story-telling best.

Written with Gerald Durrell's usual sharp eye for observing humour in any situation, Beasts in my Belfry will delight fans both old and new. At the age of two I made up my mind quite firmly and unequivocally that the only thing I wanted to do was study animals. Nothing else interested me. This is a charming account of Gerald Durrell's first job in 1945 as a student keeper at Whipsnade Zoo. Over a year, we encounter a typically absurd cast - including Albert the lion, who's a dab hand at ventriloquism, and Teddy the brown bear, with whom the young Durrell sings duets. With notebook and pen in hand, the eager young Durrell observes his co-workers and animal charges alike.

'A monument to crazy love. Magic' New York Times 'The actress arrived in his village the only way one could come directly . . .'In spring 1962 American actress Dee Moray's boat motors into an Italian bay and the life of hotelier Pasquale Tursi. Dee - fleeing a film set, claiming to be dying and desperately awaiting her lover - throws herself on Pasquale's generous mercy. Fifty years later Pasquale lands in Hollywood, sporting a fedora and seeking a long-forgotten actress. Why he's come, what happened to Dee in Italy and, later, LA, are questions that Beautiful Ruins answers in the most surprising and wonderfully entertaining manner. 'Exhilarating. Very, very funny' The Times

'A perfectly formed set of stories about alienation in modern times' Independent'Mesmerizing - almost ecstatic' The New York TimesMary Gaitskill's coolly compelling, quietly devastating stories explore the messy complexity of relationships between lovers, families and friends. An unsettling encounter on a plane; a tentative affair between an older woman and a younger man; the chasm between a father and his daughter: each expresses our longing for, and our fear of, human connection.