Literature

Rock star Alexandre Bleach might be dead, but he has a secret. It's a secret that concerns several people, but the only person who can unlock it is Vernon Subutex, former record shop proprietor turned homeless messiah and guru, last seen hallucinating and feverish on a bench in the parc des Buttes Chaumont. Aicha wants to know the truth behind the death of her mother, Vodka Satana. And if she finds the bastards responsible, she wants to make them pay, whatever Celeste thinks of her plan. Celeste wants Aicha to get a grip and stop hanging around with Subutex's gang of disciples. The Hyena wants to find the Bleach tapes. She wants to untangle her complicated feelings about Anais, her boss' assistant. And speaking of her boss, she does not want Laurent Dopalet to discover how badly she has double-crossed him. Laurent Dopalet wants the Hyena to find and destroy the Bleach tapes. He wants to forget he ever knew Vodka Satana. He wants people to stop graffitiing his apartment with ludicrous allegations. Above all, he wants people to understand: NONE OF THIS IS HIS FAULT. THE SEQUEL TO VERNON SUBUTEX 1, SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2018. Translated from the French by Frank Wynne

It could be happening here...or there. Today the place is Greece, wracked by a crisis that has pushed people to the brink. Two strangers meet in a train headed for Athens. One spews out his disgust at the foreigners and the poverty that have invaded the neighborhood he calls home, Vic City. He even has a "final solution" in mind. The other, seized by fright--or is it resignation and apathy?-- squirms as his haughty silence gives way to voyeurism and to political correctness. While the former, uninhibited, lashes out at the economic crisis in a violent racist rant, the latter, troubled, checks his email about the latest health treatments aimed at him and his family. Along the way, we get glimpses of the forces that have destroyed a society. Who will end up leading its angry, desperate and rudderless people? Vic City Express seizes the anxieties of our dystopian globalized world.

She will breathe a new empire into life – but all worlds can escape their creator…‘Full of adventure… A celebration of the power of storytelling’ GUARDIANIn the wake of an unimportant battle between two long-forgotten kingdoms, a nine-year-old girl has a divine encounter that will change the course of history. Pampa Kampana becomes a vessel for a goddess, who tells her that she will be instrumental in the rise of a great city called Bisnaga, ‘victory city’. Over the next two hundred and fifty years, Pampa Kampana’s life becomes deeply interwoven with Bisnaga’s as she attempts to make good on the task that the goddess set for her: to give women equal agency in a patriarchal world.

With an Introduction and Notes by Dr Sally Minogue, Department of English, Canterbury Christ Church University College. Based on Charlotte Bronte's personal experience as a teacher in Brussels, Villette is a moving tale of repressed feelings and subjection to cruel circumstance and position, borne with heroic fortitude. Rising above the frustrations of confinement within a rigid social order, it is also the story of a woman's right to love and be loved.

Kate Battista is stuck. How did she end up running house and home for her eccentric scientist father and infuriating younger sister Bunny?

Dr Battista has other problems. His brilliant young lab assistant, Pyotr, is about to be deported. And without Pyotr, his new scientific breakthrough will fall through…

When Dr Battista cooks up an outrageous plan that will enable Pyotr to stay in the country, he’s relying – as usual – on Kate to help him. Will Kate be able to resist the two men’s touchingly ludicrous campaign to win her round?

Anne Tyler’s brilliant retelling of The Taming of the Shrew asks whether a thoroughly modern woman like Kate would ever sacrifice herself for a man. The answer is as surprising as Kate herself.

Violeta comes into the world on a stormy day in 1920, the first daughter in a family of five boisterous sons. From the start, her life is marked by extraordinary events. The ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth. Told in the form of a letter to someone Violeta loves above all others, this is the story of a hundred-year life - of devastating heartbreak and passionate affairs, poverty and wealth, terrible loss and immense joy. Bearing witness to a century of history, it is a life shaped by the fight for women's rights, the rise and fall of tyrants and, ultimately, not one but two pandemics. Through the eyes of a woman whose unforgettable passion, determination and sense of humour will carry her through a lifetime of upheaval, Isabel Allende once more brings us an epic that is both fiercely inspiring and deeply emotional.

The meeting of Voltaire, successful financier, famous poet and troublemaker, and the enchanting amateur physicist and countess Emilie du Chatelet, was a meeting of both hearts and minds. In the Chateau de Cirey, the two brilliant intellects scandalised the French aristocracy with their passionate love affair and provoked revolutions both political and scientific with their groundbreaking work in literature, philosophy and physics. Nancy Mitford's account of the love affair of the Enlightenment is, in the author's own words, 'a shriek from beginning to end'.

In 1945 the horror film Isle of the Dead, directed by Mark Robson and starring Boris Karloff, the celebrated Frankenstein of the big screen, introduced the figure of Vrykolakas to cinema audiences, a kind of Greek vampire whose existence and survival, unlike that of his Slavic “cousin”, is less dependent on the consumption of his victims’ blood. The Vrykolakas is active not only at night and can contaminate hearths and homes with its presence. Despite being lumped in with the most famous of vampires with the status of a suspended existence between “undead” and “unliving”, it is in fact more like a hybrid between the god Pan, the harpies and the lamiae of classical antiquity, and sheds light on a little known aspect of age-old Greek folklore: its monstrous disturbing character decidedly in contrast with the exclusively Apollonian image that is often held dear by foreign observers. The Vrykolakas presents itself to the reader in the stories included in this collection in all its terrible power and violence, putting the orderly world of the living to the test. Or perhaps of the living they are a distorting, an aspect that is as true as it is occult? An opportunity to reflect and lose ourselves in the power of great literature, which once again shows us the ideal key to gain access to our souls.

Rainy night on Union Square, full moon. Want more poems? Wait till I'm dead. Allen Ginsberg, August 8, 1990, 3:30 A.M. Allen Ginsberg wrote incessantly for more than fifty years, and many of the poems collected for the first time in this volume were scribbled in letters or sent off to obscure publications and unjustly forgotten. Containing more than a hundred previously unpublished poems, accompanied by original photographs, and spanning from the 1940s to the 1990s, Wait Till I'm Dead is the final major contribution to Ginsberg's sprawling oeuvre, a must have for Ginsberg neophytes and long-time fans alike.