Literature

With an Introduction and Notes by Dr Andrew Frayn, Lecturer in Twentieth-Century Literature and Culture at Edinburgh Napier University.In these two compelling novels H.G. Wells imagines terrifying futures in which civilisation itself is threatened. The narrator of The War of the Worlds is quick to discover that what appeared to be a falling star was, in fact, a metallic cylinder landing from Mars. Six million people begin to flee London in panic as tentacled invaders emerge and overpower the city. With their heat-ray, killing machines, black gas, and a taste for fresh human blood, is there anything that can be done to stop the Martians?In The War in the Air, naive but resourceful Bert Smallways is thrilled by speed and fascinated by the new flying machines. His curiosity sweeps him away by accident into a German plan to conquer America, beginning with the destruction of New York. The ease of movement in aerial warfare means that nothing and nobody is safe as Total War erupts, civilisation crumbles, and Bert's hopes of getting back to London to marry his love seem impossibly distant.

'One of the most brilliant first novels I have come across' Telegraph'One of the top 100 novels of the century' Independent 'Brilliant...irresistible...compelling' New York Times'Macabre, bizarre, and impossible to put down' Financial Times'Read it if you dare' Daily Express The Wasp Factory is a bizarre, imaginative, disturbing, and darkly comic look into the mind of a child psychopath - one of the most infamous of contemporary Scottish novels. 'Two years after I killed Blyth I murdered my young brother Paul, for quite different reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim. That's my score to date.

Three. I haven't killed anybody for years, and don't intend to ever again. It was just a stage I was going through.' Enter - if you can bear it - the extraordinary private world of Frank, just sixteen, and unconventional, to say the least.

I am writing to a rhythm and not to a plot', Virginia Woolf stated of her eighth novel, The Waves. Widely regarded as one of her greatest and most original works, it conveys the rhythms of life in synchrony with the cycle of nature and the passage of time. Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The subsequent continuity of these six main characters, as they develop from childhood to maturity and follow different passions and ambitions, is interspersed with interludes from the timeless and unifying chorus of nature. In pure stream-of-consciousness style, Woolf presents a cross-section of multiple yet parallel lives, each marked by the disintegrating force of a mutual tragedy. The Waves is her searching exploration of individual and collective identity, and the observations and emotions of life, from the simplicity and surging optimism of youth to the vacancy and despair of middle-age.

Shortly before his death at a tragically young age, author Thomas Wolfe presented his editor with an epic masterwork that was subsequently published as three separate novels: You Can't Go Home Again, The Hills Beyond, and The Web and the Rock.

The Web and the Root features the three initial sections of the The Web and the Rock, widely considered to be the book's strongest material. A prequel to You Can't Go Home Again, it is the story of George Webber's momentous journey from Libya Falls, North Carolina, to the Golden City of the North--offering vivid, sometimes cutting depictions of rural pleasures and small-town clannishness while exploring boundless urban possibility and the complex, violent undercurrents of the metropolis.

`As a man loved a woman, that was how I loved...It was good, good, good...' Stephen is an ideal child of aristocratic parents - a fencer, a horse rider and a keen scholar. Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions. The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel. It has influenced how love between women is understood, for the twentieth century and beyond.

New to Penguin Modern Classics, the seminal work of gay literature that sparked an infamous legal trial for obscenity and went on to become a bestseller. The Well of Loneliness tells the story of tomboyish Stephen, who hunts, wears trousers and cuts her hair short - and who gradually comes to realise that she is attracted to women. Charting her romantic and professional adventures during the First World War and beyond, the novel provoked a furore on first publication in 1928 for its lesbian heroine and led to a notorious legal trial for obscenity.

Hall herself, however, saw the book as a pioneer work and today it is recognised as a landmark work of gay fiction. This Penguin edition includes a new introduction by Maureen Duffy. 'The archetypal lesbian novel' - Times Literary Supplement'One of the first and most influential contributions of gay and lesbian literature' - New StatesmanRadclyffe Hall was born in 1880.

After an unhappy childhood, she inherited her father's estate and from then on was free to travel and live as she chose. She fell in love and lived with an older woman before settling down with Una Troubridge, a married sculptor. Hall wrote many books but is best known for The Well of Loneliness, first published in 1928.

She died in 1943 and is buried in Highgate Cemetery in London. Maureen Duffy was born in 1933 and educated at Kings College London. She became a full-time writer in the 1960s, and has since written numerous screenplays, poetry and novels.

A lifelong campaigner for gay rights and animal rights, Duffy is also president of the Authors' Licensing and Collecting Society.

America, 1787. Ethan Saunders, once among General Washington s most valued spies, is living in disgrace after an accusation of treason cost him his reputation. But an opportunity for redemption comes calling when Saunders s old enemy, Alexander Hamilton, draws him into a struggle with bitter rival Thomas Jefferson over the creation of the Bank of the United States. Meanwhile, on the western Pennsylvania frontier, Joan Maycott and her husband, a Revolutionary War veteran, hope for a better life and a chance for prosperity. But the Maycotts success on an isolated frontier attracts the brutal attention of men who threaten to destroy them. As their causes intertwine, Joan and Saunders both patriots in their own way find themselves on opposing sides of a plot that could tear apart a fragile new nation."

In this now legendary journey into the hinterland of the American psyche, Didion searches for stories as the Sixties implode. She waits for Jim Morrison to show up, visits the Black Panthers in prison, parties with Janis Joplin and buys dresses with Charles Manson’s girls. She and her reader emerge, cauterized, from this devastating tour of that age of self discovery into the harsh light of the morning after.

'A brilliant psychogeography of grief, moving as it does between place, history and memory... The White Book is a mysterious text, perhaps in part a secular prayer book' Deborah Levy, Guardian Shortlisted for the International Booker PrizeFrom the author of The Vegetarian and Human Acts comes a book like no other. The White Book is a meditation on colour, beginning with a list of white things.

But it is also a book about mourning, and of rebirth and the tenacity of the human spirit. It is a stunning investigation of the fragility, beauty and strangeness of life from one of the great literary voices of our time. 'Wonderful.

A quietly gripping contemplation on life, death and the existential impact of those who have gone before' Eimear McBride 'The White Book is a profound and precious thing... Han Kang is a genius' Lisa McInerney

Set in the Ukrainian capital of Kiev during the chaotic winter of 1918-19, The White Guard, Bulgakov's first full-length novel, tells the story of a Russian-speaking family trapped in circumstances that threaten to destroy them. As in Tolstoy's War and Peace, the narrative centres on the stark contrast between the cosy domesticity of family life on the one hand, and wide-ranging and destructive historical events on the other. The result is a disturbing, often shocking story, illuminated, however, by shafts of light that testify to people's resilience, humanity and ability to love in even the most adverse circumstances.