Literature

'In some of the most beautiful passages in the novel, Allende explores the gentle but redemptive depths of mature love and the paths it can take . . . Allende has an unflashy wisdom to offer, a maturity that illuminates her storytelling . . . it pursues an age-old question: how to live a full life and find meaning, not just survive or endure one’s past’ Financial Times on In the Midst of Winter

Οι δύο ομιλίες του Οδυσσέα Ελύτη που εκφώνησε στα γαλλικά κατά την απονομή του Νόμπελ Λογοτεχνίας στη Σουηδική Ακαδημία το 1979, στην οποία ο ποιητής μιλάει για τη φωτεινότητα και τη διαφάνεια, την ποίηση και την τέχνη. Η έκδοση περιλαμβάνει τις δύο ομιλίες του στα αγγλικά, μία εισαγωγή από τον ποιητή και κριτικό Δημήτρη Δασκαλόπουλο, με τίτλο "Ο ποιητής Οδυσσέας Ελύτης", καθώς και χρονολόγιο της ζωής του ποιητή αλλά και λίστα έργων του Ελύτη που έχουν μεταφραστεί στα αγγλικά.

Indiana (1831) is an absorbing and vivid romantic novel, set partly in provincial France, partly in Paris, and partly on a tropical island. It tells the story of a beautiful and innocent young woman, married at sixteen to a much older man. She falls passionately in love with a handsome, frivolous neighbour but discovers too late that his idea of love is quite different from her own. It is only after a series of painful experiences that she comes to appreciate the silent devotion of her loyal and protective cousin. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

"Seek and ye shall find.' With these words echoing in his head, eminent Harvard symbologist Robert Langdon awakes in a hospital bed with no recollection of where he is or how he got there. Nor can he explain the origin of the macabre object that is found hidden in his belongings. A threat to his life will propel him and a young doctor, Sienna Brooks, into a breakneck chase across the city of Florence. Only Langdon's knowledge of hidden passageways and ancient secrets that lie behind its historic facade can save them from the clutches of their unknown pursuers. With only a few lines from Dante's dark and epic masterpiece, The Inferno, to guide them, they must decipher a sequence of codes buried deep within some of the most celebrated artefacts of the Renaissance - sculptures, paintings, buildings - to find the answers to a puzzle which may, or may not, help them save the world from a terrifying threat. Set against an extraordinary landscape inspired by one of history's most ominous literary classics, Inferno is Dan Brown's most compelling and thought-provoking novel yet, a breathless race-against-time thriller that will grab you from page one and not let you go until you close the book."

The third and final book in Cornelia Funke's internationally celebrated trilogy - magical, thrilling and mesmerising. 'I don't think I've ever read anything that conveys so well the joys, terrors and pitfalls of reading' Diana Wynne Jones on InkheartLife in the Inkworld has been far from easy since the extraordinary events of Inkspell, when the story of Inkheart magically drew Meggie, Mo and Dustfinger back into its pages. With Dustfinger dead, and the evil Adderhead now in control, the story in which they are all caught has taken an unhappy turn. Even Elinor, left alone in the real world, believes her family to be lost - lost between the covers of a book. But as winter comes on there is reason to hope - if only Meggie and Mo can rewrite the wrongs of the past and make a dangerous pact with death.

The second book in Cornelia Funke's internationally celebrated trilogy - magical, thrilling and mesmerising. 'I don't think I've ever read anything that conveys so well the joys, terrors and pitfalls of reading' Diana Wynne Jones on InkheartAlthough a year has passed, not a day goes by without Meggie thinking of the extraordinary events of Inkheart, and the story whose characters strode out of the pages, and changed her life for ever. But for Dustfinger, the fire-eater, torn from his world of words, the need to return has become desperate. When he finds a crooked storyteller with the magical ability to read him back, he sets in motion a dangerous reversal that sees the characters of Inkheart transported to a charmed Inkworld, about to be fought over by rival rebels and princes.

'Utterly compelling' GuardianLife...is shapeless, it does not point to and gather round anything, it does not cohere. Artistically, it's dead. Life's dead. So begins a love letter to life, a resuscitation of sorts, encountering vibrant characters from Saul Bellow, to Philip Larkin to Iris Murdoch and Elizabeth Jane Howard, and to the person who captivated Amis' twenties, the alluringly amoral Phoebe Phelps. Amis addresses our burning questions: how to live, how to grieve, and how to die?

George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature - his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership. Inside the Whale, the eighth in the Orwell's Essays series, discusses Henry Miller's controversial Tropic of Cancer, and considers the driving power behind the great books of the 1930s. Comparing Miller with other literary giants, Orwell lambasts the notion that all literature is good, forcing the reader to think for themselves, with his final words ringing in their ears: 'five thousand novels are published in England every year and four thousand nine hundred of them are tripe.'

THE NOVELIST KILLS BY THE BOOK For Commandant Camille Verhoeven life is beautiful. He is happily married and soon to become a father. HE'S ALWAYS ONE CHAPTER AHEADBut his blissful existence is punctured by a murder of unprecedented savagery.

When his team discovers that the killer has form - and each murder is a homage to a classic crime novel - the Parisian press are quick to coin a nickname . . .

The Novelist. HE HATES HAPPY ENDINGS With the public eye fixed on both hunter and hunted, the case develops into a personal duel, each hell-bent on outsmarting the other. There can only be one winner.

The one who has the least to lose.