Literature

Nothing happens, nobody comes, nobody goes, it's awful.' This line from the play was adopted by Jean Anouilh to characterize the first production of Waiting for Godot at the Theatre de Babylone in 1953. He went on to predict that the play would, in time, represent the most important premiere to be staged in Paris for forty years. Nobody acquainted with Beckett's masterly black comedy would now question this prescient recognition of a classic of twentieth-century literature.

Vienna, 1913. Lysander Rief, a young English actor, sits in the waiting room of the city's preeminent psychiatrist as he anxiously ponders the particularly intimate nature of his neurosis. When the enigmatic, intensely beautiful Hettie Bull walks in, Lysander is immediately drawn to her, unaware of how destructive the consequences of their subsequent affair will be. One year later, home in London, Lysander finds himself entangled in the dangerous web of wartime intelligence - a world of sex, scandal and spies that is slowly, steadily, permeating every corner of his life...

In a literary career spanning more than fifty years, Wallace Stegner created a remarkable record of the history and culture of twentieth-century America. Each of the thirty-one stories contained in this volume embody some of the best virtues and values to be found in contemporary fiction, demonstrating why the author is acclaimed as one of America's master storytellers. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

War and Peace is a vast epic centred on Napoleon's war with Russia. While it expresses Tolstoy's view that history is an inexorable process which man cannot influence, he peoples his great novel with a cast of over five hundred characters. Three of these, the artless and delightful Natasha Rostov, the world-weary Prince Andrew Bolkonsky and the idealistic Pierre Bezukhov illustrate Tolstoy's philosophy in this novel of unquestioned mastery. This translation is one which received Tolstoy's approval.

Winner of the 2015 Man Booker International Prize War & War begins at a point of danger: on a dark train platform Korim is on the verge of being attacked and robbed by thuggish teenagers. From here, we are carried along by the insistent voice of this nervous clerk. Desperate, at times almost mad, but also keenly empathic, Korim has discovered in a small Hungarian town's archives an antique manuscript of startling beauty: it narrates the epic tale of brothers-in-arms struggling to return home from a disastrous war. Korim is determined to do away with himself, but before he commits suicide, he feels he must escape to New York with the precious manuscript and commit it to eternity by typing it all out onto the world wide web. Following Korim with obsessive realism through the streets of New York (from his landing in a Bowery flophouse to his move far uptown with a mad interpreter), War and War relates his encounters with a fascinating range of people in a world torn between viciousness and mysterious beauty. Following the eight chapters of War & War is a short 'prequel acting as a sequel', 'Isaiah', which brings us to a dark bar, years before in Hungary, where Korim rants against the world and threatens suicide. Written like nothing else (turning single sentences into chapters), War & War affirms W. G. Sebald's comment that Krasznahorkai's prose far surpasses all the lesser concerns of contemporary writing.

'Can one part of humanity learn from the bitter experience of another or can it not? Is it possible or impossible to warn someone of danger...to assess soberly the worldwide menace that threatens to swallow the whole world?I was swallowed myself. I have been in the dragon's belly, in its red-hot innards. It was unable to digest me and threw me up. I have come to you as a witness to what it is like there, in the dragon's belly'During 1975 and 1976, Nobel Prize-winner Aleksandr Solzhenitsyn embarked on a series of speeches across America and Britain that would shock and scandalise both countries. His message: the West was veering towards moral and spiritual bankruptcy, and with it the world's one hope against tyranny and totalitarianism. From Solzhenitsyn's warnings about the allure of communism, to his rebuke that the West should not abandon its age-old concepts of 'good' and 'evil', the speeches collected in Warning to the West provide insight into Solzhenitsyn's uncompromising moral vision. Read today, their message remains as powerfully urgent as when Solzhenitsyn first delivered them.

SHORTLISTED FOR THE MAN BOOKER PRIZE 2018WINNER OF THE GILLER PRIZE FINALIST FOR THE CARNEGIE MEDAL AND THE ROGERS WRITERS TRUST FICTION PRIZELONGLISTED FOR THE WALTER SCOTT PRIZE 2019New York Times Top Ten Book of the Year 2018'A masterpiece' Attica Locke'Strong, beautiful and beguiling' Observer'Destined to become a future classic ... that rare book that should appeal to every kind of reader' GuardianWhen two English brothers take the helm of a Barbados sugar plantation, Washington Black - an eleven-year-old field slave - finds himself selected as personal servant to one of them. The eccentric Christopher 'Titch' Wilde is a naturalist, explorer, scientist, inventor and abolitionist, whose single-minded pursuit of the perfect aerial machine mystifies all around him. Titch's idealistic plans are soon shattered and Washington finds himself in mortal danger. They escape together, but then Titch disappears and Washington must make his way alone, following the promise of freedom further than he ever dreamed possible. Inspired by a true story, Washington Black is an extraordinary tale of a world destroyed and made whole again.

Washington Square marks the culmination of James's apprentice period as a novelist. With sharply focused attention upon just four principal characters, James provides an acute analysis of middle-class manners and behaviour in the New York of the 1870's, a period of great change in the life of the city. This change is explored through the device of setting the novel's action during the 1840s, similarly a period of considerable turbulence as the United States experienced the onset of rapid commercial and industrial expansion. Through the relationships between Austin Sloper, a celebrated physician, and his sister Lavinia Penniman, his daughter Catherine, and Catherine's suitor, Morris Townsend, James observes the contemporary scene as a site of competing styles and performances where authentic expression cannot be articulated or is subject to suppression.

FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, reissued for the first time in Scribner One summer morning in 1943, lock-keeper Henry Crick finds the drowned body of a sixteen-year-old boy. Nearly forty years later, his son Tom, a history teacher, is driven by a bizarre marital crisis and the provocation of one of his students to forsake the formal teaching of history-and tell stories . . . Waterland is a classic of modern fiction: a vision of England seen through its mysterious, amphibious Fen country; a sinuous meditation on the workings of time; a tale of two families, startling in its twists and turns and universal in its reach. Compulsively readable, it is a novel of resonant depth and encyclopaedic richness, mixing human and natural history and exploring the tragic forces that take us both forwards and back. It is also a book about beer, eels, the French Revolution, the end of the world, windmills, will-o'-the-wisps, murder, love, education, curiosity and-supremely-the malign and merciful element of water. `A quite brilliant novel' Daily Telegraph`Inspired' New York Times

A thrilling espionage story set in Paris after the First World War, full of classic Goddard double crosses and triple twists. 1919. The eyes of the world are on Paris, where statesmen, diplomats and politicians have gathered to discuss the fate of half the world's nations in the aftermath of the cataclysm that was the Great War. A horde of journalists, spies and opportunists have also gathered in the city and the last thing the British diplomatic community needs at such a time is the mysterious death of a senior member of their delegation. So, when Sir Henry Maxted falls from the roof of his mistress's apartment building in unexplained circumstances, their first instinct is to suppress all suspicious aspects of the event. But Sir Henry's son, ex Royal Flying Corps ace James 'Max' Maxted, has other ideas. He resolves to find out how and why his father died -- even if this means disturbing the impression of harmonious calm which the negotiating teams have worked so hard to maintain. In a city where countries are jostling for position at the crossroads of history and the stakes could hardly be higher, it is difficult to tell who is a friend and who a foe. And Max will soon discover just how much he needs friends, as his search for the truth sucks him into the dark heart of a seemingly impenetrable mystery.