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Meet fiction's great pioneer of space exploration in his very first adventures. Buck Rogers debuted in the 1920s in these tales from Amazing Stories and became a star of movies and television.

The first volume of the remarkable autobiography of Arthur Koestler, author of Darkness at Noon.

In 1931, Arthur Koestler joined the Communist Party, an event he felt to be second only in importance to his birth in shaping his destiny. Before that point, he lived a tumultuous and varied existence. He was a member of the duelling fraternity at the University of Vienna; a collective farm worker in Galilee; a tramp and street vendor in Haifa; the editor of a weekly paper in Cairo; the foreign correspondent of the biggest continental newspaper chain in Paris and the Middle East; a science editor in Berlin; and a member of the North Pole expedition of the Graf Zeppelin.

Written with enormous zest, joie de vivre and frankness, Arrow in the Blue is a fascinating self-portrait of a remarkable young man at the heart of the events that shaped the twentieth century.

The second volume of Arthur Koestler's autobiography is The Invisible Writing.

Now a major TV series starring Martin Clunes, Arsher Ali and Art MalikFrom the winner of the Man Booker Prize for Fiction 2011, an extraordinary true-life tale about a long-forgotten mystery... Arthur and George grow up worlds apart in late nineteenth-century Britain: Arthur in shabby-genteel Edinburgh, George in the vicarage of a small Staffordshire village. Arthur is to become one of the most famous men of his age, while George remains in hard-working obscurity. But as the new century begins, they are brought together by a sequence of events that made sensational headlines at the time as The Great Wyrley Outrages. This is a novel about low crime and high spirituality, guilt and innocence, identity, nationality and race. Most of all it is a profound and moving meditation on the fateful differences between what we believe, what we know and what we can prove.

Arturo Bandini arrives in Los Angeles with big dreams. But the reality he finds is a city gripped by poverty. When he makes a small fortune from the publication of a short story, he reinvents himself, indulging in expensive clothes, fine food and downtown strip clubs. But Bandini's delusions take a worrying turn when he is drawn into a relationship with Camilla Lopez, a beautiful but troubled young woman who will be responsible for his greatest downfall. Ask the Dust is an unforgettable novel about outsiders looking in on a town built on celluloid dreams.

The 2021 International Booker Prize!

Blending historical fact and classical myth, the author of Zorba the Greek and The Last Temptation of Christ transports the reader 3,000 years into the past, to a pivotal point in history: the final days before the ancient kingdom of Minoan Crete is to be conquered and supplanted by the emerging city-state of Athens. Translated by Theodora Vasils and Themi Vasils. The familiar figures who peopled that ancient world -- King Minos, Theseus and Ariadne, the Minotaur, Diadalos and Ikaros -- fill the pages of this novel with lifelike immediacy. Written originally for an Athenian youth periodical, At the Palaces of Knossos functions on several levels. Fundamentally, it is a gripping and vivid adventure story, recounted by one of this century's greatest storytellers, and peopled with freshly interpreted figures of classical Greek mythology. We see a new vision of the Minotaur, portrayed here as a bloated and sickly green monster, as much to be pitied as dreaded. And we see a grief-stricken and embittered Diadalos stomping on the homemade wax wings that have caused the drowning of his son, Ikaros. On another level, At the Palaces of Knossos is an allegory of history, showing the supplanting of a primitive culture by a more modern civilization. Shifting the setting back and forth from Crete to Athens, Kazantzakis contrasts the languid, decaying life of the court of King Minos with the youth and vigor of the newly emerging Athens. Protected by bronze swords, by ancient magic and ritual, and by ferocious-but-no-longer-invincible monsters, the kingdom of Crete represents the world that must perish if classical Greek civilization is to emerge into its golden age of reason and science. In the cataclysmic final scene in which the Minotaur is killed and King Minos's sumptuous palace burned, Kazantzakis dramatizes the death of the Bronze Age, with its monsters and totems, and the birth of the Age of Iron.

Half-brothers Michel and Bruno have a mother in common but little else. Michel is a molecular biologist, a thinker and idealist, a man with no erotic life to speak of and little in the way of human society. Bruno, by contrast, is a libertine, though more in theory than in practice, his endless lust is all too rarely reciprocated. Both are symptomatic members of our atomised society, where religion has given way to shallow 'new age' philosophies and love to meaningless sexual connections. Atomised (Les Particules elementaires) tells the stories of the two brothers, but the real subject of the novel is in its dismantling of contemporary society and its assumptions, in its political incorrectness, and its caustic and penetrating asides on everything from anthropology to the problem pages of girls' magazines. A dissection of modern lives and loves. By turns funny, acid, infuriating, didactic, touching and visceral.

An alternate history first contact adventure set in the early 2000's, pitched as Arrival meets The Three-Body Problem, by video essayist Lindsay Ellis. By the fall of 2007, one well-timed leak revealing that the U.S. government might have engaged in first contact has sent the country into turmoil, and it is all Cora Sabino can do to avoid the whole mess.

The force driving this controversy is Cora's whistleblower father, and even though she hasn't spoken to him in years, his celebrity has caught the attention of the press, the Internet, the paparazzi, and the government and redirected it to her. She neither knows nor cares whether her father's leaks are a hoax, and wants nothing to do with him until she learns just how deeply entrenched her family is in the cover-up, and that an extraterrestrial presence has been on Earth for decades. To save her own life, she offers her services as an interpreter to a monster, and the monster accepts.

Learning the extent to which both she and the public have been lied to, she sets out to gather as much information as she can, and finds that the best way for her to find the truth is not as a whistleblower, but as an intermediary. The alien presence has been completely uncommunicative until she convinces one of them that she can act as their interpreter, becoming the first and only human vessel of communication. But in becoming an interpreter, she begins to realize that she has become the voice for a being she cannot ever truly know or understand, and starts to question who she's speaking for and what future she's setting up for all of humanity.

In the Midwestern city of Zenith, the middle-aged estate agent George F. Babbitt appears to have achieved the American dream to its fullest: he is successful at work, comfortably off, exceedingly well fed, has a wife and children, a motor car and a neat house with a neat yard, and is a proud member of all the right clubs - in short, he lacks nothing to be happy. Or does he? As we follow his humdrum daily routine and startling events begin to unfold around him, we discover that all is not well in Babbitt's world: his moral foundations are shaking, and he can't help harbouring rebellious dreams of escape and romance.

A trenchant satire on consumeristic society and an indictment of the fatuous ideals of middle America in the Roaring Twenties, Babbitt - the crowning achievement of Sinclair Lewis, winner of the 1930 Nobel Prize in Literature - questions the attractions of materialistic fulfilment, at the same time laying bare the hollowness of social respectability and blind conformism.